Monday, February 17, 2014

Re-visiting Some Previously Recorded Tunes

What have I been up to lately? Well, revisiting some of my old tunes and re-working them so to speak. Last week I went back to "Another Morning (What a Drag)" and attempted to create a stripped-down mix of it for a special purpose. Recently the thought of going back to many of my older songs and just completely stripping them down to acoustic guitar and vocals has crossed my mind. I guess I feel like experimenting a bit. But even something like that can distract me from getting my album released as part of my springtime goal.  So in reality the reason I went back to "Another Morning" was for a very good reason and not just to kill time. Anyway, here is the mix that I came up with.




The last few days I have gone back to working on "Tomorrow." A music comrade had suggested I do a little more with the vocals so I added some extra layers of complimentary vocals. It was a great idea that I'm glad he suggested and I really like how the new version now sounds. I also took the liberty of moving around a few parts that for years I have left alone; reason being that I felt I had spent enough time on it already and needed to move on. So this new yet-unreleased version will sound different from the one I released on my EP in late 2011 which can be heard on Spotify if you look hard enough (or on my YouTube channel).

It was interesting going back to these recordings from 2009 and 2010. I realized I was quite reverb-happy during that time. I still love reverb but the amounts I used in these songs were pretty excessive. Additionally, I was using the built-in reverb which is very digital sounding. I exclusively now use reverb pedals or vocal pedals that have good-sounding reverb built into them. The reverb on these pedals don't sound so processed as does the one built into my 16 track Boss recorder.

So not only will "Tomorrow" sound different from the EP version but "Another Morning" will as well. Not as much however. But there will be reduced levels of reverb and I'm going to remix the drum track to mono. The current version features the drums really up front in the mix due to inadvertently recording the drums onto a stereo track. After having recorded the drums I played it back and noticed that the kick drum was panned all the way to one side while the rest of the drums were panned to the other. Needless to say that was not the effect I was going for. At the time I thought the only way to remedy that (without playing the drum part all over again) would be to double the drum track and pan it all the way left or right in order to balance out everything into the middle. But that resulted in a really in-your-face drum part. So I'm going to mix down that drum track into mono and take it from there.

In other news, I'm still working on the lyrics for the final song on the album. Stayed tuned.

Saturday, February 1, 2014

New Song Finally Finished! (Almost)

Started recording "Call On Me" back in December of 2012. I'm finally at the point (I believe so anyway) that I just have to mix and master the song now. I am considering re-recording a couple of guitar parts that feature the Leslie speaker sound. I'm not 100% sure if I will but it's pretty minor stuff regardless. So here is the mix/master I came up with as of last night:





I'm actually pretty happy with the sound. Everything can be clearly heard. Drums sound pretty good. I am however planning to move the background vocals during the choruses to either side instead of in the middle as they are in this version. And I may give the electric bass a little boost in volume.

For anyone who may be interested, I played an Epiphone Les Paul for all the electric guitar parts through a Fender Super Sonic stack, a Fender J-bass and a Yamaha S90 for the Rhodes sound.

My inspiration for this song was actually The Bee Gees. I was going through a time where I was listening to their early songs and checking out all their late 60's and early 70's videos on YouTube. I was just messing around on guitar and trying to come up with a melody over the guitar chords and some of the words just started flowing out. After I had the main theme of the song I started writing the lyrics to match. And then I spent way too long on recording it. Truth is I abandoned it for a long, long time and didn't finish it up. I had spent a lot of time on (Doesn't That) Blow Your Mind and you might say I was creatively exhausted. Excuses, excuses. I pretty much blew off 2013 but in all honesty I did some a pretty good reason. As I look through my recording log book--which I'm not very consistent with keeping up to date--I see that all of 2013 is blank except for nearly the very last month, which is when I managed to cut those 2 Christmas recordings. So it wasn't a complete waste. Pending all things possible, I promise myself to make 2014 a much more productive year. I Already have this song done. "Already". LOL. Album will be on the way as soon as I finish up recording one last song and go back and remix some of the others.

But for now I want to enjoy all the work I put into "Call On Me." If anyone should happen to give it a listen (Bootsy) I hope it sounds like music to your ears. I'll be back in the studio tonight tweaking and making adjustments.

Wednesday, January 22, 2014

New Lyrics for Older Songs

Believe it or not but when I first became really serious about being a professional musician, I was looking to enter the Christian music market. Most of my first songs and recordings were actually Gospel-themed (as I have shared previously) and I was hoping to create music that would be used in churches and worship settings. I was really influenced by the music of Hillsong church and of the various Vineyard churches being made around the world. There are some truly amazing recordings that have come out of both Hillsong and Vineyard, and even the non-religious would be hard-pressed not to like some of them.

I didn't limit myself to just 'church-type' music but I also tried making songs under the genre of CCM which is Contemporary Christian Music. This genre differs from 'worship' or church music in that it would not normally be used in church services. Rather it would be radio-type music with overtly Christian themes.

However, my own recordings and songs did not really go anywhere other than a few Billboard Contest Top 500 or Top 1500 awards. The last recording I made of any Christian-themed music came about in 2009. Since that time, I have decided that I could do a lot more through my passion for music and my abilities by creating non-Christian music. Some of my songs may still have Biblical themes but nothing overt and most likely with ambiguous lyrical meanings as some already do.

CCM has a very modern sound to it. And some of it is really good as I mentioned before. But as I draw the greater majority of my influences from 60's and 70's pop/rock music, the CCM-type songs I made were definitely out of place with what the big-name artists put out there. I don't think there is a market for 60s/70s sounding Christian music. There are just some things they're not open to. And the Christian music business is really no different than the non-Christian music business. They are both businesses with goals of making profits. That being said, my best chance lies with secular music, non-Christian music, regular music--whatever you want to call it. There is a lot more room for creativity in this area as my personal tastes encompass a wide variety of colors on the music spectrum.

The trouble is that I have several really good recordings that come with Christian-themed lyrics. What to do with them, as really they aren't going anywhere. What I have decided to do is to write new lyrics for them. In my opinion the songs are just too good to leave them lying around. And that's what I've started to do. A couple posts back I wrote about a song that I was editing down from 5 minutes to 3 minutes. That's one of those that I had originally written Christian lyrics for. In fact it was titled "All For You." I've scrapped those lyrics and even changed the melody completely. As I stated in that blog entry, I never released the song with vocals before. So when I do finish up this one it will actually be a fresh, new song. On the other hand, a song I have already released 2 years ago on my EP may need a re-working of lyrics.

Don't get me wrong. It's not like I have a slew of songs that I will now write new lyrics to. There are just 3, 4 tops. Some of the other ones I'm not even going to touch. They will remain in the dark recesses of oblivion. But only the ones that have solid instrumental backings or a cool riff that needs to be transported to a new song will see new light and life.

Sunday, January 19, 2014

My Ideal Band

I was just thinking earlier today--if I were ever to start a band, what would my ideal band be like? In terms of numbers, I think 5 members would be ideal. As far as instrumentation goes, it would be drums, bass, guitars and keyboards with occasional other instruments in the mix for good measure. There would be no one who only contributes vocals. That's not to belittle vocals by any means. Vocals are extremely important and I'll discuss that more later. But my band would not be a Rolling Stones-type band in that sense.

I enjoy a wide range of music from pop, rock, folk, R&B, funk, dance, country, blues, jazz, alternative, progressive, electronic and some of what is generically labelled as 'world' music. As a band performing original material I realize that we would most likely have to limit ourselves more specifically to one or two main genres only and then add touches of the others to our sound. So I guess we'd be pop rock, but the critics and fans would argue among each other whether we were really pop rock or folk rock or blues rock or alt rock or R&B or something else altogether. But we would definitely at times rock hard and loud or get funky and get the people dancing and at other times silence the audience with heartfelt, moving story songs.



Some of my most favourite bands include The Beatles, The Moody Blues, America, Three Dog Night and to a lesser extent, The Band. A common thread running among these bands is that they all had at least 3 lead singers. Having that many singers gave those bands varying textures of sound. I remember hearing Three Dog Night songs on oldies radio when I was a kid and being totally confused when I heard several completely different sounding songs by the band and hearing the DJ say it was them. For example, hearing "One," "Mama Told Me" and "Black and White" on separate occasions and being announced by the DJ as Three Dog Night on all occasions. The three unique voices gave their sound such diversity. America is another band that had three unique voices, albeit not as distinctive as Three Dog Night's. But they wrote all their own songs and were all excellent guitarists. The Moody Blues featured four excellent lead singers. My personal favorite being Justin Hayward with his uplifting vocals. Then there's Ray Thomas' rich baritone with vibrato. And Mike Pinder's dark and gloomy voice. And finally John Lodge's high falsetto. His is the voice I have the hardest time picking out because it's a bit similar to Justin's. But when I hear a soaring falsetto it is unquestionable John's. On their own, each voice gave each song its own finishing touch. When the four voices came together in harmony you'd have a perfectly woven textile.



The Beatles had three and sometimes four lead singers. The most distinguishable voice being that of Ringo's but the more famed ones being those of John, Paul and George. And they usually wrote most of their songs as well. The Band had three and sometimes four lead singers. In my opinion no other group had as many distinctive voices as The Band. I'm not the biggest Band fan but I appreciate their styles and what they did. Levon Helm, the drummer, was a frequent lead singer and had the unmistakable southern drawl which came out in speech and in song. Rick Danko had a strange, almost tearful voice which is still taking me time to get used to, though I really enjoy his singing on their Christmas song, "Christmas Must Be Tonight". And then there's Richard Manuel with his sometimes tenor sometimes falsetto vocal which continues to confuse me with Rick's. To me both of them have similar qualities in their vocal deliveries and tones and I have a hard time figuring out who's who on their songs. In fact I initially thought it was Richard who sang their Christmas tune. Finally, there's Robbie Robertson who wrote most of their songs but sang lead on only a handful. If you search on the 'net you will find that he was often criticized as being a pretty bad singer. But if you listen to "Out of the Blue" from The Last Waltz soundtrack you just may be convinced--as I am--that reports of bad singing on his part are greatly exaggerated.



So all this brings me to a very important point: that having multiple lead singers in a band--in my ideal band, that is--is something I would deem essential. I would want to have at least 3 members who could sing lead and contribute songwriting. Four would be even better but three would suffice. Songs on albums would be equally divided up among the 3 or 4 writers. And each writer would sing their own songs, unless any one of the writers felt their song would be better suited to one of the other voices. One of the things I liked about The Band and Three Dog Night is that on some of their songs different parts were sung by different members--We Can Talk, The Weight, Family of Man. That was done on some America and Beatles songs, too. Thus, in essence the ideal model for my band would be The Moody Blues (though it would have been nice if Ray would have played second guitar or something) and again, to a lesser degree, The Band (though it would have been nice if the singers actually contributed more to the songwriting). America was great, too, but they were always a 3-man band and never had a steady drummer and bassist. And The Beatles never usually allowed George more than one song per album side.



To recap, my ideal band would have 5 members with a basic instrumentation lineup of drums, bass, 1 or 2 guitars and 1 or 2 keyboards with other instruments as needed. The band would have at least 3 capable singers and songwriters. And under the generic term of rock we would perform both acoustic and electric, quiet and loud, dance-able and reflective, modern and classic-sounding. And we would cover a lot of musical territory. All we would need is a name.