Holiday Music Update

OK, so it's the 14th of December and I don't have anything ready for release this year. And I don't think I will have anything in time. Is that OK? Last year by this date I had "You Know It's Christmas Time" out even though it was later than ideal. This year I started working on a version of "Jingle Bells" which is going to sound different from any version you've ever heard. But I don't think I will get it done in a timely manner. Since vocals always give me trouble and take the most time to do, I am considering doing both a vocal version and an instrumental. Then either I will officially release one or the other or both depending on how good they come out. If I cannot get a good vocal version I will focus on an instrumental version which will feature all the same backing music. Either way it's going to be an organ driven song. It's just a matter of being able to sing 2 choruses and a verse in a falsetto. There's nothing I could release quickly enough that would sound good enough by Christmas. Even just doing the instrumental version of "Jingle Bells" would require quite an amount of planning and playing. So it doesn't look like it will happen this year. But it's not like this didn't happen before. I didn't release anything for Christmas in 2017 either. When I say "release" I mean through an official avenue. That mostly means CD Baby since my last 3 releases have been through them. I don't count anything less than that as a serious release anymore. The good news is that--and you have probably seen me write this in a number of previous years--I am in the Christmas spirit and am quite focused on making 2021 the year I release not only one Christmas album but two. I don't know if that's a good idea though because mostly likely I will not have anything new to release in 2022. Yes, big plans, I know, but you have to think ahead. So perhaps I won't release 2 next year, but the question remains whether I will release an all original album and an album of covers or combine covers and originals for 2 separate albums in 2 years. Frankly, I think it's a waste to put out an entire album of original holiday songs. I suspect a good mix of originals and covers is the wise thing to do for each. That way I will have brand new songs for 2 years in a row. I guess I figured out what I will do. See how it's good to write down your thoughts? At least now I know for sure what to do and I can start picking out the traditional songs I can do my own versions of. An album of 10-12 songs will suffice, with no more than 5-6 (half) being originals. Maybe less? It just feels wasteful to put that many new songs on a new holiday album when they could all potentially serve as individual releases in the coming years. If I were making it a goal to release yearly holiday albums exclusively--because if I did choose that I would not have time for non-holiday albums--I wouldn't mind putting that many new songs on a new album considering I'd be repeating that on a yearly basis. But it's not my goal My real goal is to have a solid holiday album releaesd by October of 2021, November at the latest. If I can accomplish that I may not worry about a second release in 2022. Who knows? No sense in looking too far ahead. So allow me to just focus on what I've got planned for 2021. Of course that is all contingent upon nothing crazy happening in 2021. As long as my BR-1600 continues to function properly--which by the way I am very glad to say it has been--I can record my music. The only thing is that I have to do a bulk of the recording from now until April or May or whenever it starts getting too warm and October at which point I should be at the brink of finishing up and releasing. I will have to work fast and efficiently. Oh, if my vocals should not cooperate than I may have to resort to releasing an album of instrumentals. Or a mix of instrumentals and vocals. I'd be OK with either scenario.

Holiday Music Plans For 2020

 It's the holiday season and in terms of having new holiday music ready for this time, I have learned my lesson. Well, not really. Neither is it officially the holiday season--though to me it is because it really starts to feel like it even before Thanksgiving--nor have I learned my lesson in terms of releasing new holiday music. Can I just add that the holiday season to me starts with Halloween? There's no denying that Halloween, Thanksgiving, Christmas & New Year's are all very much related with some fascinating parallels in the subject matter of endings and new beginnings. The last quarter of the year really is my favorite time. 

Anyway, I am working on new holiday music. Considering my history of timing I'd say I'm pretty early. But I cannot guarantee I'll have anything new. I will try, however. The good thing is that I have plenty of time to keep 'promoting' last year's tune, "You Know It's Christmas Time." That was another late release--December 11 to be precise. Traditionally, holiday albums are released in October though I don't know who buys them that early. I have to admit that I'm not quite in a Christmassy mood pre-Halloween. And nobody plays it that early either. ChristmasSongsRadio.com started playing holiday music before Thanksgiving this year and I'm grateful to hear the wonderful, diverse variety you can find there which includes my very own songs.

I have no problem with recording and releasing an electronic tune. "You Know It's Christmas Time" was virtually such a recording with the exception being a real guitar track and my vocal. While I was able to get the music tracks down rather quickly, it was the vocal that held the release up. But one thing I didn't know was that as a result of releasing that song through CD Baby as a "Pro Single," I was granted a free membership into ASCAP. That was cool. 

Another song I have nearly ready for release is "Christmas In The City (reprise)". The problem is I don't have the non-reprise version of the song anywhere near completely written! The reprise version is a 6-minute track featuring a repeating 4-part harmony of "Christmas in the city, lookin' so pretty" trading off with instrumental solos. It was just meant to be a fun, 70s funk inspired song. But I need the main song it's based off with a lot more lyrics than that. Have you ever heard of a reprise being released without the song it was based on?

So that's something I can work on. I also wanted to do a minor key version of "Jingle Bells." That may be something I could do quick if my vocals don't fail me too much. But I'd prefer doing something original. 

As I write this I have a working demo song titled "A Winter's Day" playing in the background. I like its mellow sound and feel but I've been stuck on writing for a few years. And it's another 4 part harmony song so it surely would take me quite some time to finish up a recording.

So there's lots to do. I will be seriously thrilled if I can just have a new recording released in time for Christmas. It's just about 4 weeks away so there really is no time to waste. Wish me luck.

FROM THE ARCHIVES - Spooky Jam

 As promised, my next blog post would be about the "Spooky" jam recording I made many years ago. Here it is on YouTube:

Just like the previous post's recording, I don't have an exact recording date for this but I can certify that it's sometime from 1996-1999 because during that time I was still using an analog 4-track machine. Sometime around 1999-2001 is when I acquired my first digital recorder which was a Boss BR-8 and recorded on Zip disks. Remember those? Anyway, it may be closer to 2001 as that is that date of the recording of my very own first original song, "Autumn." 

But as it is, "Spooky Jam" was a tape recording. I said before that this Tascam 4 track machine had absolutely no built-in effects. The sound came out dry unless you added effects to your input signal. So the reverb you may hear on this recording was my experimentation of playing the song on the Tascam into the input of the Boss BR-8. That way I was able to add reverb and, unintentionally, some compression as well. 

This recording was a much slower version of the previous "Spooky" and the instrumentation was sparse. There's an electric guitar doing various things, a bass, a harmonica here and there and my homemade drums. I still am not sure whether it's my guitar doing the bass or if it was a real bass, though I am leaning towards an actual bass. If it is a bass that would date that song at December 1998 and beyond. Again, knowing the recording date would solve the mystery.

There's only one guitar track which plays rhythm first and then some solo parts. The drum part is actually double-tracked past the mid-point of the song--one track on the left and one on the right. I really loved experimenting with panning the sounds. At first I was playing the drums like bongos and then changed to playing with sticks which at that time were just some Sharpie-type markers which no longer served as writing utensils.

I wasn't really good at improvising with guitar playing at that time. Otherwise there wouldn't have been so much dead air time on the guitar track. And the harmonica? Yeah, I couldn't play that either. The bass was a repetitive line so the drums were probably at the forefront of this recording. I should add that during the time of these early archive recordings of mine, I didn't have a metronome. So there are lots of out-of-sync sounds at any given moment. That's also why the recording fades in at the beginning and fades out at the end. I tried to preserve the best portion of the impromptu jam.

That's about it for the history on this recording. I think it sounds better with the reverb. I always felt there was something missing on my recordings even after acquiring the capability to record on 4 tracks. I used to think once I had a real piano sound that would take care of it. But it wasn't. It wasn't having real drums either. It was not having reverb and delay and compression. My music didn't come alive until I had access to the built-in effects of the Boss BR-8.

 

From The Archives - My "Spooky" With Vocal Cover

 Now that I have reestablished a presence on YouTube--who am I kidding? I have nowhere near the views on my videos that I had before. At the time I uploaded some of my cover videos in 2009 and the early 2010s, some of them were actual firsts. I had the first correct "Barney Miller" theme bass cover. The first bass cover for "Skin Tight" by The Ohio Players. I had a really innovative cover for Paul McCartney's "Heart of the Country" that came up first in Google searches. I had many others as well. All gone. And even though I have re-uploaded all those videos they have gone nowhere and are pretty much dead. Other YouTubers have taken my place in search engines with their covers of the same songs. So even though I may have a presence on YouTube once again you'll need a microscope to find my material.

Regardless, it's more important to me to have my videos up on YouTube than to have the views. At least with them being on that site they're "out there" even if virtually impossible to find. And of course there's always that element of 'you never know what's going to happen." It may be discovered some day.

But anyway, this post is going to be about one of the videos I recently uploaded there. One of my all-time favorite songs is "Spooky" by Dennis Yost & The Classics IV. Even before I had real musical instruments--not counting the Casio PT-10--I made a pretty bad version of the song multi-tracked with cheap mics onto even cheaper cassette tapes. Yes, it was my rubber band and coffee can days. Extremely lo-fi. And as bad as it was I still plan to upload it to YouTube someday and link to it here.

As time went on and my lot of gear improved over the years, I decided to redo "Spooky" and this time with a vocal even. Too bad for me I didn't keep logs of when I did my recordings so I only have my hazy memory to go by. One thing is for sure: I got my first electric guitar in 1996 which came about 4 years after my very first guitar, a Harmony folk-style acoustic guitar. It had a noticeably smaller body than a dreadnought. Looked kind of like a classical with steel strings. 

So the first electric guitar came in 1996 and it was an Epiphone Les Paul Special II purchased from Guitar Center. But I only purchased the guitar. What's an electric guitar without an amp, you say? Well, to me it was a lot. I had a 4 track Tascam analog tape machine at that time and I knew I could record directly into it sans an amp. To be perfectly honest I neither had nor wanted an amp at that time. A lot of that had to do with my own naivete in terms of what an amp could do for my sound, though. 

But I was able to get clean tones and distorted ones as well. It was just a matter of adjusting the volume on the guitar and the input volume on the Tascam. So I thought I had everything I needed. 

When I got my electric guitar I not only used it for guitar parts on my recordings but also for the bass parts. I would tune down the lowest 2 or 3 strings and it would sound sufficiently bassy. I'm not sure if that's what I did on my version of "Spooky" because I am not clear on the recording date. I didn't get my first electric bass until December 1998 so if this recording was made before then, I used my guitar for bass. Anyway, there are 3 guitar parts and the 1 bass part. The other instruments you hear are my drums (coffee & candy cans) and a tambourine and some seed pods.

To me the best part of the song is the electric guitar solo with delay. I learned the sax solo and played it on guitar. All these years later I still really like that solo. And I didn't use a pedal for that delay effect. I had to do it the way they did it in professional studios back in the day. I don't recall my exact method but the gist of it was to have a 2nd copy of the solo recorded a little quieter and lagging a small bit behind the first. Done with tape of course. I didn't sit there and play the solo a second time and record it. It was just the magic of tape.

Also, I recorded this song before the internet became a ubiquitous thing. So I couldn't go online and look up tabs for songs and get the right or close-to-right chords. I had to figure it all out myself. And I know some of those chords I played were indeed wrong because when I first did see the chords for this song they were very different from the simple ones I played. So those guys who were putting the chords and tabs out there on Harmony Central were truly pioneers and I learned a lot from them.

Finally, I decided to add a vocal to my recording. I know it's a bad one. Out of tune and pitchy. And in my natural speaking voice. It sucks. But I love the reverb on it! 

My Tascam recorder had no built-in effects. Absolutely nothing. Once I purchased my first guitar effects pedal, a Korg ToneWorks 411fx, I finally had effects! But I didn't know how to use the blasted thing because it came with no manual. You see, I bought the floor model which was the only one available at Guitar Center and those models never come with their boxes or manuals or anything else. But I am grateful to the young guy who sold that one to me. I don't know what he is doing nowadays but I hope he is happy and well. 

At this point I can't even tell you how I got the reverb on the vocal. Did I plug a microphone or something into the Korg ToneWorks and sing my heart away? Or was the reverb added to the dry vocal recording later? I'm not sure but the reverb was beautiful. I couldn't always tune in that reverb however. Not having the manual I couldn't always find it. I would mindlessly turn the rotary knobs until it appeared. I know it had other sounds and things but I only cared for the reverb. 

And that's the story of that recording. Funny thing is, I no longer have that guitar or that bass (if I used a bass, that is) or that effects pedal. I don't regret not having the 2 instruments but I sure wish I had that pedal still. I think I know a little more about using it now. And they're going for over $100 on eBay these days.

As recently as 2019 I took that recording without the bad vocal and did a new vocal. It came out better but not without its own unique flaws. Now that I know the correct chords to play I just may do a new version or 2 of it. I'd like to do a version as close to the original as possible and perhaps a rendition featuring my own unique take on it. It's a song I never tire of. In fact, my next post will be about sort of a "Spooky" jam recording I created around the same time. Stay tuned!