FROM THE ARCHIVES - Spooky Jam

 As promised, my next blog post would be about the "Spooky" jam recording I made many years ago. Here it is on YouTube:

Just like the previous post's recording, I don't have an exact recording date for this but I can certify that it's sometime from 1996-1999 because during that time I was still using an analog 4-track machine. Sometime around 1999-2001 is when I acquired my first digital recorder which was a Boss BR-8 and recorded on Zip disks. Remember those? Anyway, it may be closer to 2001 as that is that date of the recording of my very own first original song, "Autumn." 

But as it is, "Spooky Jam" was a tape recording. I said before that this Tascam 4 track machine had absolutely no built-in effects. The sound came out dry unless you added effects to your input signal. So the reverb you may hear on this recording was my experimentation of playing the song on the Tascam into the input of the Boss BR-8. That way I was able to add reverb and, unintentionally, some compression as well. 

This recording was a much slower version of the previous "Spooky" and the instrumentation was sparse. There's an electric guitar doing various things, a bass, a harmonica here and there and my homemade drums. I still am not sure whether it's my guitar doing the bass or if it was a real bass, though I am leaning towards an actual bass. If it is a bass that would date that song at December 1998 and beyond. Again, knowing the recording date would solve the mystery.

There's only one guitar track which plays rhythm first and then some solo parts. The drum part is actually double-tracked past the mid-point of the song--one track on the left and one on the right. I really loved experimenting with panning the sounds. At first I was playing the drums like bongos and then changed to playing with sticks which at that time were just some Sharpie-type markers which no longer served as writing utensils.

I wasn't really good at improvising with guitar playing at that time. Otherwise there wouldn't have been so much dead air time on the guitar track. And the harmonica? Yeah, I couldn't play that either. The bass was a repetitive line so the drums were probably at the forefront of this recording. I should add that during the time of these early archive recordings of mine, I didn't have a metronome. So there are lots of out-of-sync sounds at any given moment. That's also why the recording fades in at the beginning and fades out at the end. I tried to preserve the best portion of the impromptu jam.

That's about it for the history on this recording. I think it sounds better with the reverb. I always felt there was something missing on my recordings even after acquiring the capability to record on 4 tracks. I used to think once I had a real piano sound that would take care of it. But it wasn't. It wasn't having real drums either. It was not having reverb and delay and compression. My music didn't come alive until I had access to the built-in effects of the Boss BR-8.

 

We Are Experiencing Technical Difficulties -- Please Stand By

I did forget to mention in my last post or so that another contributing factor to the delay in completing the new Christmas song, "You Know It's Christmas Time," was that my recording studio, the BR1600, was no functioning properly.

While recording this song I allowed my free space to get to zero because I kept recording parts over and over and not erasing them and not optimizing the song. Optimizing is a feature that permanently erases everything you recorded over. The erase function only temporarily removes stuff you don't want anymore but it's all still there and all you have to do is use the "undo" button to bring it all back. Optimizing is the only thing that frees up space permanently. So when I got to 0 recording time I was forced to erase and optimize. That freed up a lot of space but it was too late by then. The BR1600 was not working smoothly after that point anymore. It would just stop recording while I was singing my lines or even playing some of the final instrument parts. There was a point I really thought the song was not going to be completed and in terms of making a final mix and then mastering it, I had to go through unconventional means to do so.

The good news is that it appears the hiccups are only on that song. I have not tried recording any brand new songs, though. But what I did have to do was play the final mix and record it into my computer, burn that onto a CD, import it into the BR1600 as a new song and then play it back through the mastering mode as I recorded it once again into my computer (which by the way is also on its last legs). This is the only way I was able to get the song mixed and mastered. Doing that normally would not work. The recorder would always stop recording at the very same point in the song. I was turning blue in the face.

I even started looking around to buy a new one of these. Surely, I thought, I've had this one for over 10 years and they must have made amazing upgrades and improvements to it. To my surprise, I found out they don't even make these things anymore. The only major company still making these non-computer based systems is Tascam which is the brand of the very first 4-track tape machine I ever had. This was really bad news for me. I have never used software and computers for making music. I still don't want to. I like having a standalone unit for music-making.

As I was looking at a 24-track Tascam recorder some of the reviews did not read so well. I recall multiple similar complaints about clicking noises that made it onto recorded songs. I don't want that!

So I'm really in trouble now. I'm hoping that the problem lies just with that song. After erasing and optimizing I relieved about 24 hours of recording time! From 0 to 24 hours. But I should have been doing this all along the way, after every new song.

The error message I get is "drive busy!" I looked all around the web for info on this and I found that Boss has 2 methods to temporarily fix this. One is to transfer all the songs in the BR1600 to CDs and then initialize the hard disk. That would take an inordinate amount of CDs to do. And initializing the disk erases everything that was on it.

The other method is to connect the BR1600 to a computer via USB and transfer everything that way. Again, you'd have to initialize the hard disk which erases everything. But it's all on the computer now so that's OK, right? Not really since my computer has been crashing scores of times since last summer.

I don't know what to do right now. I'm going to keep using the BR1600 for as long as it allows me to continuously record. Once it stops I will have to try one of the methods above. And those methods are not a cure by any means. Boss says you will have to repeat this process every several months. Why did they have to stop making this thing? This is similar to the iPod. I kept expecting that the iPod was going to perpetually increase in disk size as the last one I purchased was a 160GB and soon enough it was filled to the brim. But after the 160 there was no more. Then they came out with the iPod touch but only in smaller versions. Same thing with the Boss recording studio. I had the 16 track (which is technically not 16 tracks but actually 12) thinking someday I'd get me a 24 track. Perish the thought.

Even though I cannot get me a brand new Boss 24 track studio (which in reality would probably be only an 18 track), I can get a bigger iPod than my current 160GB. Although it's 256GB it is also still an iPod touch which I don't mind anymore. Actually I feel more comfortable now with the 'touch' technology so I'd prefer a touch iPod vs. the old wheel version.

OK. So this post was about my technological struggles of recording. I still plan to write about some of the goals for this year.

Re-visiting Some Previously Recorded Tunes

What have I been up to lately? Well, revisiting some of my old tunes and re-working them so to speak. Last week I went back to "Another Morning (What a Drag)" and attempted to create a stripped-down mix of it for a special purpose. Recently the thought of going back to many of my older songs and just completely stripping them down to acoustic guitar and vocals has crossed my mind. I guess I feel like experimenting a bit. But even something like that can distract me from getting my album released as part of my springtime goal.  So in reality the reason I went back to "Another Morning" was for a very good reason and not just to kill time. Anyway, here is the mix that I came up with.




The last few days I have gone back to working on "Tomorrow." A music comrade had suggested I do a little more with the vocals so I added some extra layers of complimentary vocals. It was a great idea that I'm glad he suggested and I really like how the new version now sounds. I also took the liberty of moving around a few parts that for years I have left alone; reason being that I felt I had spent enough time on it already and needed to move on. So this new yet-unreleased version will sound different from the one I released on my EP in late 2011 which can be heard on Spotify if you look hard enough (or on my YouTube channel).

It was interesting going back to these recordings from 2009 and 2010. I realized I was quite reverb-happy during that time. I still love reverb but the amounts I used in these songs were pretty excessive. Additionally, I was using the built-in reverb which is very digital sounding. I exclusively now use reverb pedals or vocal pedals that have good-sounding reverb built into them. The reverb on these pedals don't sound so processed as does the one built into my 16 track Boss recorder.

So not only will "Tomorrow" sound different from the EP version but "Another Morning" will as well. Not as much however. But there will be reduced levels of reverb and I'm going to remix the drum track to mono. The current version features the drums really up front in the mix due to inadvertently recording the drums onto a stereo track. After having recorded the drums I played it back and noticed that the kick drum was panned all the way to one side while the rest of the drums were panned to the other. Needless to say that was not the effect I was going for. At the time I thought the only way to remedy that (without playing the drum part all over again) would be to double the drum track and pan it all the way left or right in order to balance out everything into the middle. But that resulted in a really in-your-face drum part. So I'm going to mix down that drum track into mono and take it from there.

In other news, I'm still working on the lyrics for the final song on the album. Stayed tuned.