Wednesday, January 22, 2014

New Lyrics for Older Songs

Believe it or not but when I first became really serious about being a professional musician, I was looking to enter the Christian music market. Most of my first songs and recordings were actually Gospel-themed (as I have shared previously) and I was hoping to create music that would be used in churches and worship settings. I was really influenced by the music of Hillsong church and of the various Vineyard churches being made around the world. There are some truly amazing recordings that have come out of both Hillsong and Vineyard, and even the non-religious would be hard-pressed not to like some of them.

I didn't limit myself to just 'church-type' music but I also tried making songs under the genre of CCM which is Contemporary Christian Music. This genre differs from 'worship' or church music in that it would not normally be used in church services. Rather it would be radio-type music with overtly Christian themes.

However, my own recordings and songs did not really go anywhere other than a few Billboard Contest Top 500 or Top 1500 awards. The last recording I made of any Christian-themed music came about in 2009. Since that time, I have decided that I could do a lot more through my passion for music and my abilities by creating non-Christian music. Some of my songs may still have Biblical themes but nothing overt and most likely with ambiguous lyrical meanings as some already do.

CCM has a very modern sound to it. And some of it is really good as I mentioned before. But as I draw the greater majority of my influences from 60's and 70's pop/rock music, the CCM-type songs I made were definitely out of place with what the big-name artists put out there. I don't think there is a market for 60s/70s sounding Christian music. There are just some things they're not open to. And the Christian music business is really no different than the non-Christian music business. They are both businesses with goals of making profits. That being said, my best chance lies with secular music, non-Christian music, regular music--whatever you want to call it. There is a lot more room for creativity in this area as my personal tastes encompass a wide variety of colors on the music spectrum.

The trouble is that I have several really good recordings that come with Christian-themed lyrics. What to do with them, as really they aren't going anywhere. What I have decided to do is to write new lyrics for them. In my opinion the songs are just too good to leave them lying around. And that's what I've started to do. A couple posts back I wrote about a song that I was editing down from 5 minutes to 3 minutes. That's one of those that I had originally written Christian lyrics for. In fact it was titled "All For You." I've scrapped those lyrics and even changed the melody completely. As I stated in that blog entry, I never released the song with vocals before. So when I do finish up this one it will actually be a fresh, new song. On the other hand, a song I have already released 2 years ago on my EP may need a re-working of lyrics.

Don't get me wrong. It's not like I have a slew of songs that I will now write new lyrics to. There are just 3, 4 tops. Some of the other ones I'm not even going to touch. They will remain in the dark recesses of oblivion. But only the ones that have solid instrumental backings or a cool riff that needs to be transported to a new song will see new light and life.

Sunday, January 19, 2014

My Ideal Band

I was just thinking earlier today--if I were ever to start a band, what would my ideal band be like? In terms of numbers, I think 5 members would be ideal. As far as instrumentation goes, it would be drums, bass, guitars and keyboards with occasional other instruments in the mix for good measure. There would be no one who only contributes vocals. That's not to belittle vocals by any means. Vocals are extremely important and I'll discuss that more later. But my band would not be a Rolling Stones-type band in that sense.

I enjoy a wide range of music from pop, rock, folk, R&B, funk, dance, country, blues, jazz, alternative, progressive, electronic and some of what is generically labelled as 'world' music. As a band performing original material I realize that we would most likely have to limit ourselves more specifically to one or two main genres only and then add touches of the others to our sound. So I guess we'd be pop rock, but the critics and fans would argue among each other whether we were really pop rock or folk rock or blues rock or alt rock or R&B or something else altogether. But we would definitely at times rock hard and loud or get funky and get the people dancing and at other times silence the audience with heartfelt, moving story songs.



Some of my most favourite bands include The Beatles, The Moody Blues, America, Three Dog Night and to a lesser extent, The Band. A common thread running among these bands is that they all had at least 3 lead singers. Having that many singers gave those bands varying textures of sound. I remember hearing Three Dog Night songs on oldies radio when I was a kid and being totally confused when I heard several completely different sounding songs by the band and hearing the DJ say it was them. For example, hearing "One," "Mama Told Me" and "Black and White" on separate occasions and being announced by the DJ as Three Dog Night on all occasions. The three unique voices gave their sound such diversity. America is another band that had three unique voices, albeit not as distinctive as Three Dog Night's. But they wrote all their own songs and were all excellent guitarists. The Moody Blues featured four excellent lead singers. My personal favorite being Justin Hayward with his uplifting vocals. Then there's Ray Thomas' rich baritone with vibrato. And Mike Pinder's dark and gloomy voice. And finally John Lodge's high falsetto. His is the voice I have the hardest time picking out because it's a bit similar to Justin's. But when I hear a soaring falsetto it is unquestionable John's. On their own, each voice gave each song its own finishing touch. When the four voices came together in harmony you'd have a perfectly woven textile.



The Beatles had three and sometimes four lead singers. The most distinguishable voice being that of Ringo's but the more famed ones being those of John, Paul and George. And they usually wrote most of their songs as well. The Band had three and sometimes four lead singers. In my opinion no other group had as many distinctive voices as The Band. I'm not the biggest Band fan but I appreciate their styles and what they did. Levon Helm, the drummer, was a frequent lead singer and had the unmistakable southern drawl which came out in speech and in song. Rick Danko had a strange, almost tearful voice which is still taking me time to get used to, though I really enjoy his singing on their Christmas song, "Christmas Must Be Tonight". And then there's Richard Manuel with his sometimes tenor sometimes falsetto vocal which continues to confuse me with Rick's. To me both of them have similar qualities in their vocal deliveries and tones and I have a hard time figuring out who's who on their songs. In fact I initially thought it was Richard who sang their Christmas tune. Finally, there's Robbie Robertson who wrote most of their songs but sang lead on only a handful. If you search on the 'net you will find that he was often criticized as being a pretty bad singer. But if you listen to "Out of the Blue" from The Last Waltz soundtrack you just may be convinced--as I am--that reports of bad singing on his part are greatly exaggerated.



So all this brings me to a very important point: that having multiple lead singers in a band--in my ideal band, that is--is something I would deem essential. I would want to have at least 3 members who could sing lead and contribute songwriting. Four would be even better but three would suffice. Songs on albums would be equally divided up among the 3 or 4 writers. And each writer would sing their own songs, unless any one of the writers felt their song would be better suited to one of the other voices. One of the things I liked about The Band and Three Dog Night is that on some of their songs different parts were sung by different members--We Can Talk, The Weight, Family of Man. That was done on some America and Beatles songs, too. Thus, in essence the ideal model for my band would be The Moody Blues (though it would have been nice if Ray would have played second guitar or something) and again, to a lesser degree, The Band (though it would have been nice if the singers actually contributed more to the songwriting). America was great, too, but they were always a 3-man band and never had a steady drummer and bassist. And The Beatles never usually allowed George more than one song per album side.



To recap, my ideal band would have 5 members with a basic instrumentation lineup of drums, bass, 1 or 2 guitars and 1 or 2 keyboards with other instruments as needed. The band would have at least 3 capable singers and songwriters. And under the generic term of rock we would perform both acoustic and electric, quiet and loud, dance-able and reflective, modern and classic-sounding. And we would cover a lot of musical territory. All we would need is a name.

Sunday, January 12, 2014

Re-working An Old Song

I have a really old song--I'm talking 2006 old--that I never satisfyingly recorded the final vocals for. I had complete lyrics for the song and recorded a few demo vocals. The vocals didn't come out well and I never went back to redo them. Subsequently, I never released the song, originally titled "All For You," and it has just been sitting there. Here is a clip of the song--specifically the bridge--that I put up on YouTube:




The complete song is actually about 5:20 long. I have been exploring some new possibilities with this track and I'm going to write some new lyrics for it. Additionally, I'm going to trim the song down about 2 minutes which means eliminating an extended chorus section, a guitar solo and the above bridge. I already came up with a few new lyrics and melody lines. When it's completed, I think this will end up being the 10th track for the album.

I had thought about including the Christmas song I made last month on the album, in the vein of The Band having their only Christmas song on the final album they put out with the original 5 members. I'm not sure though. I'd rather keep it separate. If this old song I'm reworking goes well I'll have a solid 10 songs with a total run time of over 40 minutes. Won't need anything else but I still may throw in the Christmas tune as a bonus track.