Showing posts with label r&b. Show all posts
Showing posts with label r&b. Show all posts

Wednesday, June 8, 2016

The Jeffersons Movin' On Up Bass Line Tab

I tabbed out the bass part for "Movin' On Up," the opening theme to "The Jeffersons". The tab is of the way I played it in the video which may or may not be 100% accurate. If it isn't 100% accurate it is extremely close!
Here is the video:





And here is the tab:

G  :-----------------|----------------------|
D  :-----------------|---2-2-5-5------------|
A  :5------------2--5|-5---------4-3-------3|
E  :--------3--3-----|----------------3-3---|

G  :----------------------|-----------------10-/11--|
D  :---2-2-0-0-2----------|---2-2-5-5--------9-/10--|
A  :-3----------------2--5|-5---------3-5----------5|
E  :-------------3--3-----|-------------------------|

G  :----------------------|----------------------|
D  :---2-2-5-5-2----------|---2-2-5-5------------|
A  :-5----------------2--5|-5---------4-3-------3|
E  :-------------3--3-----|----------------3-3---|

G  :----------------------|-----------------|
D  :---2-2-0-0-2----------|-----------------|
A  :-3----------------2-3-|5--5-7-5-----3-3-|
E  :-------------3--3-----|---------3-------|

G  :----------------|----------------|----------------|
D  :----------------|----------------|----------------|
A  :----------------|----------------|----------------|
E  :3--1--2-3-------|---1--2-3-------|---1--2-3-------|

G  :----------------|----------------|---------------------|
D  :----------------|----------------|---------------------|
A  :----------------|--------5---5--5|5--------------2-2--5|
E  :---1--2-3-------|3---------------|--0-0-1-1-2-3--------|

G  :----------------------|----------------------|
D  :---2-2-5-5------------|---2-2-0-0-2----------|
A  :-5---------4-3-------3|-3----------------2--5|
E  :----------------3-3---|-------------3--3-----|

G  :------------------|-----------------------|
D  :---4-5------------|---2-2-3-3-4-4-5-----2-|
A  :-5-----4-5-------5|-5-----------------2---|
E  :------------5-5---|-----------------------|

G  :------------------|-------------------|
D  :0-0-2-------------|-------------------|
A  :--------2-3-----0-|----2-3-5------2-3-|
E  :------3-------0---|3-3-------3--3-----|

G  :-----------------|
D  :---------5-------|
A  :5--5-7-5---------|
E  :-----------------|



As with all my tabs, I sometimes choose to use fretted notes as opposed to open string notes. You don't have to do this. My purpose with these tabs is to help you know what notes to play, not necessarily where to play them. Sometimes the two are the same. Other times you have a choice.


Tuesday, December 1, 2015

Christmas Recording Progress

If you're a regular reader of this blog you already know that I've been working on a cover of a Christmas song. I'm pleased to say that it has been coming along well and I've been experimenting with some new things. But I have now arrived at the dreaded 'recording the drums' portion of the song. After initially being convinced that I would go with my trusty Yamaha synth's drum sounds, I have now decided that I need to play a real drum set for this song. The hard part will be, as always, getting a good snare drum sound.

I was experimenting a bit with the snare drum this evening and doing some test recordings with it. I achieved a very nice sound--still not perfect but it might just be the best sound I have ever recorded. What did it for me was three key things:

1. Tightening the top and bottom heads of the drum
2. Placing a mic near & just above the drum (and away from the hi hat)
3. Turning down the input recording level.

Tightening the heads gave me a higher pitched sound and one that cut through the mix with all the other instruments. The mic near the snare gives it extra volume and lets you hear its nuances from up close. Additionally, with the mic that close I don't have to hit the drum all that hard. Also, the mic is away from the hi hat which means it does not pick up all that hi hat noise and ended up giving me a very balanced sound. Finally, turning down the record input level got rid of the distorted drum sound that unfortunately has plagued many of my other recordings. It pays to try different things out! If it weren't so late in the evening when I was doing all this I would have recorded the whole drum set track tonight.

But as I mentioned it wasn't completely perfect. On the recording I was hearing a lot of the snare drum's overtones. I will try recording again with a drum ring on the head. But the problem with rings is that they tend to completely deaden the drum sound. I may try some other things if the desired sound is not achieved.

So when I do record the drum set part my plan is to use that one mic on the snare; an overhead to capture the toms & cymbals; and 2 for the kick drum, one on each end. I used to in the past mic the toms individually but I have found that the single overhead picks them up very well and I have even received  professional praise on their recorded sound using that technique. That's good enough for me. Ideally, if I had the space and additional mic stands I would go with mic'ing each tom and running each one through a separate channel of a mixer. But you make do with what you have because it beats getting into unnecessary debt.

The song I'm working on is "We Three Kings." This is a great, minor-key, public domain Christmas song. It's in 3/8 time and originally I was going to record it that way. But I had some other ideas for this song and I changed it to 4/4. Obviously I have not heard every version of this song ever recorded, but I believe I have come up with a unique arrangement and interpretation. I was going for a late 60's/early 70's sound on this, and in particular a vintage R&B feel. It is an instrumental with a minimoog voice taking the lead melody. This is the very first recording of mine to feature a cello. And I added a 4 piece horn section because, hey, it won't sound like some vintage, funky R&B without horns! I recorded trumpet, trombone, tenor sax & baritone sax. This is not the first time I have experimented with horns on a recording of mine. You might remember some horn action on my song "The Rain." Now, mind you, I do not have a cello or all those different horns nor would I be able to play them well enough at this time. But my Yamaha synth opens up worlds of sound for me. And these sounds are realistic-enough that I can use them and pass them off as the real deal on recordings. I will surely be using horn sounds a lot more in my future songs.

I'm really excited about finishing the recording process for this song. There are still some things to tweak and plenty of tracks to bounce in order to free up space. I anticipate completing this song in its entirety and releasing it during the coming weekend. At that time I will submit it to ChristmasSongsRadio.com where it will be in rotation with my three other holiday recordings. I will also send it to "The Basement Tapes with Nick & Bootsy."

Before I close out this post I want to give you an idea of the snare drum sound I'm looking to get for this recording. Such a great sound and cuts clearly through the mix. And there appears to be only an overhead mic. I'm pretty confident there are no other mics on those drums as that was back in the day when drum sets were not given mic'ing priority. By the way, this is also a great song by a great performer:


Sunday, January 19, 2014

My Ideal Band

I was just thinking earlier today--if I were ever to start a band, what would my ideal band be like? In terms of numbers, I think 5 members would be ideal. As far as instrumentation goes, it would be drums, bass, guitars and keyboards with occasional other instruments in the mix for good measure. There would be no one who only contributes vocals. That's not to belittle vocals by any means. Vocals are extremely important and I'll discuss that more later. But my band would not be a Rolling Stones-type band in that sense.

I enjoy a wide range of music from pop, rock, folk, R&B, funk, dance, country, blues, jazz, alternative, progressive, electronic and some of what is generically labelled as 'world' music. As a band performing original material I realize that we would most likely have to limit ourselves more specifically to one or two main genres only and then add touches of the others to our sound. So I guess we'd be pop rock, but the critics and fans would argue among each other whether we were really pop rock or folk rock or blues rock or alt rock or R&B or something else altogether. But we would definitely at times rock hard and loud or get funky and get the people dancing and at other times silence the audience with heartfelt, moving story songs.



Some of my most favourite bands include The Beatles, The Moody Blues, America, Three Dog Night and to a lesser extent, The Band. A common thread running among these bands is that they all had at least 3 lead singers. Having that many singers gave those bands varying textures of sound. I remember hearing Three Dog Night songs on oldies radio when I was a kid and being totally confused when I heard several completely different sounding songs by the band and hearing the DJ say it was them. For example, hearing "One," "Mama Told Me" and "Black and White" on separate occasions and being announced by the DJ as Three Dog Night on all occasions. The three unique voices gave their sound such diversity. America is another band that had three unique voices, albeit not as distinctive as Three Dog Night's. But they wrote all their own songs and were all excellent guitarists. The Moody Blues featured four excellent lead singers. My personal favorite being Justin Hayward with his uplifting vocals. Then there's Ray Thomas' rich baritone with vibrato. And Mike Pinder's dark and gloomy voice. And finally John Lodge's high falsetto. His is the voice I have the hardest time picking out because it's a bit similar to Justin's. But when I hear a soaring falsetto it is unquestionable John's. On their own, each voice gave each song its own finishing touch. When the four voices came together in harmony you'd have a perfectly woven textile.



The Beatles had three and sometimes four lead singers. The most distinguishable voice being that of Ringo's but the more famed ones being those of John, Paul and George. And they usually wrote most of their songs as well. The Band had three and sometimes four lead singers. In my opinion no other group had as many distinctive voices as The Band. I'm not the biggest Band fan but I appreciate their styles and what they did. Levon Helm, the drummer, was a frequent lead singer and had the unmistakable southern drawl which came out in speech and in song. Rick Danko had a strange, almost tearful voice which is still taking me time to get used to, though I really enjoy his singing on their Christmas song, "Christmas Must Be Tonight". And then there's Richard Manuel with his sometimes tenor sometimes falsetto vocal which continues to confuse me with Rick's. To me both of them have similar qualities in their vocal deliveries and tones and I have a hard time figuring out who's who on their songs. In fact I initially thought it was Richard who sang their Christmas tune. Finally, there's Robbie Robertson who wrote most of their songs but sang lead on only a handful. If you search on the 'net you will find that he was often criticized as being a pretty bad singer. But if you listen to "Out of the Blue" from The Last Waltz soundtrack you just may be convinced--as I am--that reports of bad singing on his part are greatly exaggerated.



So all this brings me to a very important point: that having multiple lead singers in a band--in my ideal band, that is--is something I would deem essential. I would want to have at least 3 members who could sing lead and contribute songwriting. Four would be even better but three would suffice. Songs on albums would be equally divided up among the 3 or 4 writers. And each writer would sing their own songs, unless any one of the writers felt their song would be better suited to one of the other voices. One of the things I liked about The Band and Three Dog Night is that on some of their songs different parts were sung by different members--We Can Talk, The Weight, Family of Man. That was done on some America and Beatles songs, too. Thus, in essence the ideal model for my band would be The Moody Blues (though it would have been nice if Ray would have played second guitar or something) and again, to a lesser degree, The Band (though it would have been nice if the singers actually contributed more to the songwriting). America was great, too, but they were always a 3-man band and never had a steady drummer and bassist. And The Beatles never usually allowed George more than one song per album side.



To recap, my ideal band would have 5 members with a basic instrumentation lineup of drums, bass, 1 or 2 guitars and 1 or 2 keyboards with other instruments as needed. The band would have at least 3 capable singers and songwriters. And under the generic term of rock we would perform both acoustic and electric, quiet and loud, dance-able and reflective, modern and classic-sounding. And we would cover a lot of musical territory. All we would need is a name.

Wednesday, October 16, 2013

(Doesn't That) Blow Your Mind

I finally uploaded my song, "(Doesn't That) Blow Your Mind" to YouTube. Hadn't done much in terms of uploading my songs to YouTube lately because of the difficulty in trying to make videos that would complement the songs. I don't have the equipment or any willing volunteers nor do I want to 'borrow' other people's photos and videos out there due to copyright issues. So I finally decided on just making the video a still photo of the forthcoming album.

Even though "Blow Your Mind" has been out there on my tumblr and perhaps Soundcloud, I don't really consider it 'out there' until it's on YouTube. Additionally this is a great way to release a single to promote the album.due soon. (I'm not sure if they still put out singles before albums nowadays. I don't really follow the industry and I don't buy much new music. I do know that back in the 1960's and 70's they would sometimes put out singles before the albums they appeared on and other times they would release albums first then put out singles from the album. I never understood the latter because if you had the album you wouldn't need to get the singles. But I digress...)

I guess we'll have to go back to the days before music videos where you would listen to music and come up with your own imagery. So listen to the song and use your imagination: