Showing posts with label folk. Show all posts
Showing posts with label folk. Show all posts

Sunday, January 19, 2014

My Ideal Band

I was just thinking earlier today--if I were ever to start a band, what would my ideal band be like? In terms of numbers, I think 5 members would be ideal. As far as instrumentation goes, it would be drums, bass, guitars and keyboards with occasional other instruments in the mix for good measure. There would be no one who only contributes vocals. That's not to belittle vocals by any means. Vocals are extremely important and I'll discuss that more later. But my band would not be a Rolling Stones-type band in that sense.

I enjoy a wide range of music from pop, rock, folk, R&B, funk, dance, country, blues, jazz, alternative, progressive, electronic and some of what is generically labelled as 'world' music. As a band performing original material I realize that we would most likely have to limit ourselves more specifically to one or two main genres only and then add touches of the others to our sound. So I guess we'd be pop rock, but the critics and fans would argue among each other whether we were really pop rock or folk rock or blues rock or alt rock or R&B or something else altogether. But we would definitely at times rock hard and loud or get funky and get the people dancing and at other times silence the audience with heartfelt, moving story songs.



Some of my most favourite bands include The Beatles, The Moody Blues, America, Three Dog Night and to a lesser extent, The Band. A common thread running among these bands is that they all had at least 3 lead singers. Having that many singers gave those bands varying textures of sound. I remember hearing Three Dog Night songs on oldies radio when I was a kid and being totally confused when I heard several completely different sounding songs by the band and hearing the DJ say it was them. For example, hearing "One," "Mama Told Me" and "Black and White" on separate occasions and being announced by the DJ as Three Dog Night on all occasions. The three unique voices gave their sound such diversity. America is another band that had three unique voices, albeit not as distinctive as Three Dog Night's. But they wrote all their own songs and were all excellent guitarists. The Moody Blues featured four excellent lead singers. My personal favorite being Justin Hayward with his uplifting vocals. Then there's Ray Thomas' rich baritone with vibrato. And Mike Pinder's dark and gloomy voice. And finally John Lodge's high falsetto. His is the voice I have the hardest time picking out because it's a bit similar to Justin's. But when I hear a soaring falsetto it is unquestionable John's. On their own, each voice gave each song its own finishing touch. When the four voices came together in harmony you'd have a perfectly woven textile.



The Beatles had three and sometimes four lead singers. The most distinguishable voice being that of Ringo's but the more famed ones being those of John, Paul and George. And they usually wrote most of their songs as well. The Band had three and sometimes four lead singers. In my opinion no other group had as many distinctive voices as The Band. I'm not the biggest Band fan but I appreciate their styles and what they did. Levon Helm, the drummer, was a frequent lead singer and had the unmistakable southern drawl which came out in speech and in song. Rick Danko had a strange, almost tearful voice which is still taking me time to get used to, though I really enjoy his singing on their Christmas song, "Christmas Must Be Tonight". And then there's Richard Manuel with his sometimes tenor sometimes falsetto vocal which continues to confuse me with Rick's. To me both of them have similar qualities in their vocal deliveries and tones and I have a hard time figuring out who's who on their songs. In fact I initially thought it was Richard who sang their Christmas tune. Finally, there's Robbie Robertson who wrote most of their songs but sang lead on only a handful. If you search on the 'net you will find that he was often criticized as being a pretty bad singer. But if you listen to "Out of the Blue" from The Last Waltz soundtrack you just may be convinced--as I am--that reports of bad singing on his part are greatly exaggerated.



So all this brings me to a very important point: that having multiple lead singers in a band--in my ideal band, that is--is something I would deem essential. I would want to have at least 3 members who could sing lead and contribute songwriting. Four would be even better but three would suffice. Songs on albums would be equally divided up among the 3 or 4 writers. And each writer would sing their own songs, unless any one of the writers felt their song would be better suited to one of the other voices. One of the things I liked about The Band and Three Dog Night is that on some of their songs different parts were sung by different members--We Can Talk, The Weight, Family of Man. That was done on some America and Beatles songs, too. Thus, in essence the ideal model for my band would be The Moody Blues (though it would have been nice if Ray would have played second guitar or something) and again, to a lesser degree, The Band (though it would have been nice if the singers actually contributed more to the songwriting). America was great, too, but they were always a 3-man band and never had a steady drummer and bassist. And The Beatles never usually allowed George more than one song per album side.



To recap, my ideal band would have 5 members with a basic instrumentation lineup of drums, bass, 1 or 2 guitars and 1 or 2 keyboards with other instruments as needed. The band would have at least 3 capable singers and songwriters. And under the generic term of rock we would perform both acoustic and electric, quiet and loud, dance-able and reflective, modern and classic-sounding. And we would cover a lot of musical territory. All we would need is a name.

Monday, December 23, 2013

It's Christmas!

One of the hardest things about recording under not-so-ideal conditions and with not-so-ideal gear is coming up with a mixdown of the song which sounds satisfactory.That's the trouble I'm having once again. I usually end up making several mixdowns because after mastering each one they usually all end up sounding bad on one playback source or another.

I've already made a couple of mixes/masters of my new holiday song, "It's Christmas," and have not been pleased. I will try once again tonight. Have I mentioned how difficult it is to get a good recorded drum sound? Of course I have. But it's also pretty hard getting a solid recording of an upright bass. On a whim I decided to play my upright for this song to give it a little more of an acoustic sound and feel--a kind of 60's folk/jazz vibe if you will. I'm more of an electric bass player so playing this huge acoustic bass is completely different and physically demanding. This is the first song with vocals that I played upright bass on.

The bass track came out sounding pretty nice but quite weak on some notes. Even going back to some 60's tunes such as Roger Miller's "King of the Road" and Ian & Sylvia's "Rocks & Gravel" which both begin with upright bass intros and continue throughout, I don't hear any weak notes but rather solid consistency throughout. On the other hand, I did listen to "Stay" by Astrud Gilberto which also features upright bass and noticed some less audible bass notes being played. And when I say less audible what I mean is that there are certain notes that don't have that deep, booming quality. And the bass playing on "Stay" is a lot busier than on "King of the Road" and "Rocks & Gravel," so perhaps there are a lot more weaker bass notes being played. I just don't know what it is. I'm going to try working on tweaking that track a little more and see what I come up with. Not only for that reason but also because the bass overall is a bit too booming compared to those older recordings.

There are a few more things I'm going to play around with the attempt to come up with a final version that is most sonically pleasing to my musical ear. That will be later on tonight. For the time being, I have uploaded the 2nd version to Soundcloud and YouTube and it happens to be the version that will be featured on the "Justin Sane Show Christmas Special" tonight at 7pm CT on CNEU Radio; Christmas Eve on Insane Realm Radio at 5pm CT; day after Christmas at 10am CT on Digital Mayhem Radio; Friday at 3pm CT on Digital Revolution Radio; and a few other places after that.

Here it is on Soundcloud:



And here it is on YouTube:



Hoping I will have the final, best-sounding version ready tonight.

Thursday, February 7, 2013

Now Until Then

I have an upright string bass (or double bass) that I don't use much in my recordings because I haven't gotten down how to play without frets yet. It is my own fault because I rarely practice playing it. But occasionally I do use it and there are at least 2 recordings of mine that feature it. It is also a very hard instrument to record well. I hear these modern jazz recordings and the double bass just sounds so rich and deep. Of course, it could have something to do with the fact that mine is an $800 Chinese made instrument, while theirs are most likely vintage and cost thousands of dollars.

Here is a song titled, "Now Until Then," which I made in 2011. I was just fingerpicking away at my nylon string classical guitar and I came up with something I thought interesting so I recorded it and used it as the basis for this song. It features 2 classical guitar parts, a drum track and a double bass track. (I don't like referring to it as 'double bass' because drummers also have something they call a 'double bass.' So in order to avoid any confusion from here on out I will refer to the 4 string acoustic double bass as upright acoustic bass or just upright bass.)

This song has elements of jazz, folk and even classical. I wouldn't know how to categorize it. Actually most of my music is very hard to categorize. This one is no exception. Listen to it and decide for yourself:




I am leaning towards more instrumental music not only because it is more universal but also because it is very difficult for me to sing and whenever I do vocal tracks I end up doing so many takes and edits. It requires the most amount of time compared to any other instrument I record.

Well, here is another similar type recording. This one was made several years ago and pretty much fits the same arrangement as "Now Until Then." The exception being that steel string acoustic guitar tracks replace the nylon string guitar ones. Drums and upright bass are both here as well. This recording was really just an improvisation. I did not set out to make an actual song. I was just laying down some ideas, especially concerning the rhythm acoustic guitar. So the songs starts off well but really breaks down about midway through or later. I don't even really have an official title for it. But I will record an official version of it at some point.

This is one of those recordings that would not normally see the light of day, but I include it here because it has some interesting elements:




I am interested in acoustic music and would like to record a whole album just of acoustic string instruments. Would be nice to have a resonator guitar and also a banjo. But I'll make do with what I have for now.


Sunday, October 21, 2012

Scarborough Fair (by Simon & Garfunkel) Guitar Tab

I did a cover of the acoustic guitar part to Simon & Garfunkel's version of "Scarborough Fair" from 1966. It's a fun song to play and like "Here Comes the Sun" by the Beatles features some upper register playing with a capo set on the 7th fret. First, here is the video of me playing:



I don't play through the whole song because the part is pretty much just repeated over and over. So I included the intro, the main body of the song one time through and the ending.

Here is the tab:


   Capo 7                                                           
E  :--0---------|--0---------|------------|--0---------|--0---------|
B  :--------3---|--------3---|--0---------|--------3---|--------0---|
G  :----0-----0-|----0-----0-|----0-------|----0-----0-|----2-----2-|
D  :------4-----|------4-----|------------|------4-----|------2-----|
A  :0-----------|5-----------|3-------2---|0-----------|0-----------|
E  :------------|------------|------------|------------|------------|

                                                                    
E  :--0---------|--0---------|--0---------|--0---------|------------|
B  :--------3---|--------0---|--------3---|--------0---|0-----1-0---|
G  :----0-----0-|----2-----2-|----0-----0-|----2-----2-|--0---------|
D  :------4-----|------2-----|------4-----|------2-----|----0-2-0---|
A  :0-----------|0-----------|0-----------|0-----------|------------|
E  :------------|------------|------------|------------|3-----------|

                                                                    
E  :--0---------|--0---------|--0---------|--0---------|0---2-------|
B  :--------3---|--------0---|--------1---|--------0---|--------3---|
G  :----0-----0-|----2-----2-|----0-----0-|----2-----2-|--0---2---2-|
D  :------4-----|------2-----|------2-----|------2-----|----0---0---|
A  :0-----------|0-----------|3-----------|0-----------|3-----------|
E  :------------|------------|------------|------------|------------|

                                                                    
E  :--0---------|--0---------|--0---------|--0---------|--0---------|
B  :--------3---|--------0---|--------3---|--------0---|------------|
G  :----0-----0-|----2-----2-|----0-----0-|----2-----2-|----2-------|
D  :------4-----|------2-----|------4-----|------2-----|------2-----|
A  :0-----------|0-----------|0-----------|0-----------|0-------0-2-|
E  :------------|------------|------------|------------|------------|

                                                                     
E  :--0---------|0-----------|-------------|------------|--0-----0---|
B  :--------1---|----3---1---|0-------1-p0-|1---0-------|----------1-|
G  :----0-------|--0---0---0-|--0---0------|--------0---|----2-------|
D  :------2---0-|------------|----0---2-p0-|2---0-------|------2-----|
A  :3-----------|3---2---0---|-------------|------------|0-----------|
E  :------------|------------|3------------|--------3---|------------|

                                                                        
E  :------------|----------------|--0---------|--0---------|--0---------|
B  :0-------1---|0---0-h1-p0-----|--------3---|--------0---|--------3---|
G  :--0---0-----|------------0---|----0-----0-|----2-----2-|----0-----0-|
D  :----0---2---|0---0-h2-p0-----|------4-----|------2-----|------4-----|
A  :------------|----------------|0-----------|0-----------|0-----------|
E  :3-----------|------------3---|------------|------------|------------|

                                                                        
E  :--0---------|--0---------|--0---------|------------|----------0-----|
B  :--------0---|--------3---|--------3---|--0---------|--------0-------|
G  :----2-----2-|----0-----0-|----0-----0-|----0-------|------2---------|
D  :------2-----|------4-----|------4-----|------------|----2-----------|
A  :0-----------|0-----------|5-----------|3--------2--|--0-------------|
E  :------------|------------|------------|------------|----------------|

I love playing fingerstyle guitar and this is a great song of that kind to play. There will be more guitar and bass tabs to come. Stay tuned!

Thursday, October 18, 2012

New Song - If I Told You

Here is another video of me performing a new song I'm working on. Just another 1 minute or so clip:


I'm pretty excited about this song and the other one I posted a few days ago. I just have to finish writing them and then come up with arrangements for them. Both this song and the other one, "Call On Me," were inspired by early Bee Gee's music. These 2 songs just came to me as I was working on recording another song right around the time Robin Gibb was deathly ill. I had originally envisioned both this song and 'Call On Me' to be sung in my Robin Gibb-imitation voice even though I did not sing that way in the videos. I have not yet decided what tone I will use for the actual recording but that is still a long ways from now.

It is already mid-October and I absolutely need to finish the current project I'm working and get at least 1 more song recorded before the year is up. And that would make 4 songs I complete this year. But first I have to make a final mix & master of the song I've been working on for months now, "(Doesn't That) Blow Your Mind." I should be working on that right now. Off I go....


Tuesday, October 9, 2012

New Song - Call On Me

Here is a song that I've been working on. It's heavily influenced by the Bee Gees sound and I was particularly inspired by their song "Run To Me." I was just messing around with my camera so I decided to do a live pseudo-performance and uploaded it to YouTube.


It was an impromptu 'live' version so I didn't even sing all the right lyrics. And when I have the actual recorded version complete it will feature a full band arrangement.