Showing posts with label pop. Show all posts
Showing posts with label pop. Show all posts

Saturday, April 22, 2017

Spring Update

So we're into the final third of April and I have not written any holiday or seasonal tunes! And to be honest, I don't really feel like it! I knew this would happen. I have not able to immerse myself into that genre of music as I had wanted to. But fear not--I have been working on other music. I have about four songs I am working on right now. One is lyrically complete and ready to start recording. The other three are more in the infant stages of writing. But I feel good that ideas are flowing. And at this time, I feel as though I'm going in the direction of shorter songs. The bulk of the music I love is pop & rock of the 1960's & early 1970's. If I had to sum it up into a range it would be 1964-1972. The majority of the hit songs of that era were all just about under three minutes long. So I'm probably going to keep them short and (hopefully) sweet. I'm also considering mixing all the songs in mono just to give the project that extra 60's sound. Some of my all-time favorite songs are in mono and only available in mono (as far as I know). Here are some of them:

Heart Full of Soul (The Yardbirds)

Gimme Some Lovin' (The Spencer Davis Group)

Can't Be Still (Booker T & The M.G.'s)

Ya Ya (Lee Dorsey)

Take a Heart (The Sorrows)

Down Home Girl (The Stones)

You Need Lovin' (The Small Faces)

Baby Don't Go (Sonny & Cher)

Barefootin' (Robert Parker)

Good Time Charlie (Bobby Bland)

I realize some of those may fall outside the specified range, but it's not an exclusive range. Anyway I'm not a huge fan of mono but it does give a recorded song more of a vintage, lo-fi feel. Plus, when comparing mono mixes to stereo ones of the thousands of songs I have in my library, the mono mixes usually sound louder and more balanced. Of course, that could have to do with mastering techniques as well. In the 60's most singles on 45 were punchy mono mixes made specifically to sound loud over the radio and on your home turntables. The Beatles released all their albums in both mono and stereo up through 1968. They involved themselves in the mono mixes and left the stereo mixing up to the studio staff.

I'm going to do this. And it's cool because I will still have access to make stereo mixes whenever the mood strikes or if need be. That's the difference between my recordings and the ones listed above. Many of those were recorded on two or three-track tape with the masters no longer available. Thus they are preserved for posterity in mono and nothing else. But it is fun to think about how they would have been mixed in stereo. I got used to a lot of The Beatles' earlier stereo output where most instruments would be panned to one side and the vocals on the other, with nothing much in the center. Those stereo recordings helped me better hear and figure out the different instrument parts so I could learn to play them. That's one of the reasons I prefer stereo overall--there is a lot more to be heard that mono mixes do not permit.

I think the four songs I'm working on will be interesting. If I can get really serious about finishing them up and doing a few more things I may actually have something to release this year.



Sunday, November 27, 2016

2016: Year End Goals

Around this time of year, I usually write about my end-of-year goals for Exit World music. This year is no different except that I don't really have any goals. Well, nothing crazy like the last few years. I would really love to get a Christmas album out there (read: a 10-song collection), but it's not going to happen in 2016. Technically there is enough time if I put together some simple covers. But I like to indulge in my music and doing things quickly is not how I like to work on it. Next year though is a very real possibility. Let's just say that things have fallen into place and I am more optimistic for the coming year than I was for the current one. And definitely more optimistic than the tone of some of my other posts this year.

Last year around this time I recorded a unique version of "We Three Kings." It didn't take me very long and I was pretty pleased with it. It was an instrumental and that has a lot to do with my having completed it rather quickly. Vocals are a weak spot for me and not having to record take after take of lines and phrases saves a ton of time. What I am considering for this year is recording another instrumental cover. I have not written any new holiday tunes nor do I anticipate being able to write and produce one in time. In all truth though the two original songs I did make the last few years were started around this time so I could still do it. I'm not going to place a lot of emphasis on that though and just focus on getting a cover done. I am leaning towards "O Little Town of Bethlehem," as it's a song I've been wanting to do for quite some time.

In my previous post I wrote that I was considering not renewing to have my music available on iTunes, Amazon, Spotify, etc. At this point it looks like I will keep it up for at least another year. Recently I was with some people and I wanted to hear my music through a new piece of gear. Not having my iPod on me it was really really convenient to be able to have them find me on Spotify and play my music from there. That was pretty nice. It was also pretty cool to have my music playing there and most people around not knowing it was me. And then seeing how surprised they were to learn it was me. I took that as some small sign that I should continue on. So I'm going to keep my music up and available for streaming and purchase.

I did not do very much musically this year. I guess that's nothing really out of the ordinary for me. Just about two songs, possibly a third coming, and a half-minute rendition of "Happy Birthday to You" which has been played a lot. It's really hard to accomplish a lot when you're working this alone and you don't always have necessary time & space to do it. I could easily become an electronic musician and put out lots more music but I do not want to go that route.

One thing I did do recently was publish a new song on Soundcloud & YouTube called "If I Told You." I had been working on this song for several years. You can look back on some of my posts from some years ago when I first talked about it. Well, it's finally done and it's one of my favorite songs. The recording quality is so good IMHO and it shows how my production skills have really improved tenfold over the years. It is so good to see yourself grow, not old, but in ability, skill, knowledge and expertise.

I still want to remix the song and just tweak it a bit here and there, but I did make a video and uploaded it to YouTube:




This was my pièce de résistance for 2016. Surely this song (in slightly remixed format) will be on my next album of originals. 

In the meantime between now and the new year I will try to churn out a new recording of an old Christmas song. I know many of these tunes are tired and overdone but many people still love Christmas music as do I. I'll just come up with a unique take on it like I did with "We Three Kings."

Monday, May 25, 2015

Come and Get Your Love Bass Tab

I've been listening a lot lately to a song called "Come & Get Your Love" by Redbone. Not because I just discovered it as a result of Hollywood's having to dig deep into the vaults for their lack of modern-day creativity. But because I've known this song for many years and it's been in my iTunes library for a long time. And because I like to revisit some of the songs in my library from time to time and I end up getting hooked on them either again or even for the first time. With this song, this is the first time I've been hooked on it.

It is a shame that great songs such as this one can only get new life by getting placed in a movie or commercial. It's nice that younger generations can hear it for the first time. Heck, this song isn't even from my generation so I had to discover it some way. I personally do not watch any new movies so I had no idea this song was recently featured in a flick. The only reason I now know is because I searched for some info about it online and I came across these repeated phrases which made no sense to me. Eventually I learned that the phrases were the title and character of the movie the song was in.

Anyway, this post is not so much to rag on Hollywood or the entertainment industry, though I have plenty I could write about that. It's actually because I have been listening carefully to the bass line of 'Come and Get Your Love' and trying to figure it out. I think I now have figured it out and I thought about uploading a cover video on YouTube. I decided to check out if there were other bass covers of this song already on there. Lo and behold, of course there were. I checked out about 5 videos and only one is by a guy who's actually old enough to have been around when that song came out. The other 4 were without doubt way too young. Again, odds are they know the song because of the film. That's the power of Hollywood. But I'm going off course again.....So the thing is none of the 5 videos feature them playing the bass part as I am hearing it on the original recording. A bit different in fact. Now I don't know if their intent is to just play their own version of it or to show others how to play it. But as for me, I think I have figured out the bass line and I want to show how to play it. While I haven't made a cover video yet I have tabbed it out and it is included here. Once I do make the video I will link to it here.

Here is the intro. I don't think there are any debates regarding this part:

G  :----------------|----------------|----------------|----------------|
D  :----------------|----------------|----------------|----------------|
A  :5---2-0-5---2-0-|--5-2-0-5-5-2-0-|5---2-0-5---2-0-|--5-2-0-5-5-2-0-|
E  :----------------|----------------|----------------|----------------|

Note that the intro does not have to be played all on the A string. I myself prefer to play the B & A notes on the E string. I tabbed it out this way because it looks as though Pat Vegas plays it all on the A string.



Now the verse part. This is where I'm hearing different notes from what everyone else on YouTube is playing. I listened to this very carefully before checking out anyone else's interpretation. I tabbed out the first 4 measures because the 2nd and 4th measures are different by one note. But after playing measures 1 through 4 you keep repeating measures 3 & 4 up to the chorus.

G  :----------------|----------------|----------------|----------------|
D  :----------------|----------------|----------------|----------------|
A  :--------------4-|5---5---2---2-0-|--------------4-|5---5-4-2---2-0-|
E  :0-2-0-3-5-4-5---|------2---------|0-2-0-3-5-4-5---|----------------|



Here is the chorus part leading back into the verse.

G  :----------------|----------------|---------------------------|
D  :----------------|----------------|---------------------------|
A  :--------------4-|5---5---2---2-0-|---------------------------|
E  :0-2-0-3-5-4-5---|------2---------|0-0--0-2-2--2-3-3--3-5-5--5|

G  :----------------|---------------------------|----------------|
D  :----------------|---------------------------|----------------|
A  :5---5---2---2-0-|---------------------------|--------------4-|
E  :------2---------|0-0--0-2-2--2-3-3--3-5-5--5|0---0-3-5---5---|

G  :----------------|
D  :----------------|
A  :5---5-4-2-------|
E  :----------------|

So you would play measures 1 & 2 once and then measures 3 & 4 several times followed by measures 5, 6 & 7 which take you back into the verse.

That's pretty much the whole thing and I believe it's pretty close to the original so I'm sticking to it. Video to come soon.


EDIT--Here is the video:





Saturday, May 2, 2015

'Song For A Friend' on YouTube

I still want to post here with some level of regularity despite the hardship I am going through right now. Writing here and focusing on my music is actually quite therapeutic. I just wish I had all the time and energy necessary to be devoted to these things. I notice that many of the blogs that I follow post a lot more frequently than I do. I really do hope that things work out to a level where I will have the necessary means in all respects to keep all this going.

Recently I uploaded to YouTube a song I made several years back. This song has been on soundcloud for a while but I never really spread it around that much. This was a special project creation for a young friend who died from cancer in his teens. Some mutual friends decided to create a tribute to him on what would have been the commemoration of his birthday. I decided to contribute a song. Some songs come fast--words and melody--other songs come very slow. This one came fast and it's a good thing it did because the target date for this tribute was his birthday which was not very far off. The recording and everything was finished rather quickly and in time.

I have thought several times about changing some of the lyrics to make for less specific details and perhaps creating a wider audience appeal. I feel the song has tremendous pop sensibilities and I drew inspiration from at least 2 songs--'Leaving Ninety-Nine' by Audio Adrenaline and 'February' by Ten Shekel Shirt--that I like very much. (In fact, the title of the Ten Shekel Shirt song influenced me to originally title the song in a similar fashion. I have gone on to change the title several times). However, as I mentioned before, I'm not very keen on trying to re-work old songs, or at least old songs which have already been recorded. There are a few things I could do to make the recording sonically superior. But as far as a re-write, there are no plans for that unless I received a professional suggestion to do so.

As it stands the song is officially called "Song For A Friend." Here it is:




On this recording I used 2 guitars which I no longer own. One was the emerald green Carvin CT-6 and the other was a Rickenbacker 350V63. I'm not completely sure but there may have been a third guitar used. I did not keep recording notes at that time so I can only go by memory. Bass used was a Fender Jazz bass. This song also features some prominent slide guitar playing which I incorporated during a slide phase I was going through. I certainly do plan to add more slide to my recordings as I see fit.

So what do you think of the song? Someone upon hearing this song for the first time said it sounded like the Beatles. I found that to be interesting.

Sunday, January 19, 2014

My Ideal Band

I was just thinking earlier today--if I were ever to start a band, what would my ideal band be like? In terms of numbers, I think 5 members would be ideal. As far as instrumentation goes, it would be drums, bass, guitars and keyboards with occasional other instruments in the mix for good measure. There would be no one who only contributes vocals. That's not to belittle vocals by any means. Vocals are extremely important and I'll discuss that more later. But my band would not be a Rolling Stones-type band in that sense.

I enjoy a wide range of music from pop, rock, folk, R&B, funk, dance, country, blues, jazz, alternative, progressive, electronic and some of what is generically labelled as 'world' music. As a band performing original material I realize that we would most likely have to limit ourselves more specifically to one or two main genres only and then add touches of the others to our sound. So I guess we'd be pop rock, but the critics and fans would argue among each other whether we were really pop rock or folk rock or blues rock or alt rock or R&B or something else altogether. But we would definitely at times rock hard and loud or get funky and get the people dancing and at other times silence the audience with heartfelt, moving story songs.



Some of my most favourite bands include The Beatles, The Moody Blues, America, Three Dog Night and to a lesser extent, The Band. A common thread running among these bands is that they all had at least 3 lead singers. Having that many singers gave those bands varying textures of sound. I remember hearing Three Dog Night songs on oldies radio when I was a kid and being totally confused when I heard several completely different sounding songs by the band and hearing the DJ say it was them. For example, hearing "One," "Mama Told Me" and "Black and White" on separate occasions and being announced by the DJ as Three Dog Night on all occasions. The three unique voices gave their sound such diversity. America is another band that had three unique voices, albeit not as distinctive as Three Dog Night's. But they wrote all their own songs and were all excellent guitarists. The Moody Blues featured four excellent lead singers. My personal favorite being Justin Hayward with his uplifting vocals. Then there's Ray Thomas' rich baritone with vibrato. And Mike Pinder's dark and gloomy voice. And finally John Lodge's high falsetto. His is the voice I have the hardest time picking out because it's a bit similar to Justin's. But when I hear a soaring falsetto it is unquestionable John's. On their own, each voice gave each song its own finishing touch. When the four voices came together in harmony you'd have a perfectly woven textile.



The Beatles had three and sometimes four lead singers. The most distinguishable voice being that of Ringo's but the more famed ones being those of John, Paul and George. And they usually wrote most of their songs as well. The Band had three and sometimes four lead singers. In my opinion no other group had as many distinctive voices as The Band. I'm not the biggest Band fan but I appreciate their styles and what they did. Levon Helm, the drummer, was a frequent lead singer and had the unmistakable southern drawl which came out in speech and in song. Rick Danko had a strange, almost tearful voice which is still taking me time to get used to, though I really enjoy his singing on their Christmas song, "Christmas Must Be Tonight". And then there's Richard Manuel with his sometimes tenor sometimes falsetto vocal which continues to confuse me with Rick's. To me both of them have similar qualities in their vocal deliveries and tones and I have a hard time figuring out who's who on their songs. In fact I initially thought it was Richard who sang their Christmas tune. Finally, there's Robbie Robertson who wrote most of their songs but sang lead on only a handful. If you search on the 'net you will find that he was often criticized as being a pretty bad singer. But if you listen to "Out of the Blue" from The Last Waltz soundtrack you just may be convinced--as I am--that reports of bad singing on his part are greatly exaggerated.



So all this brings me to a very important point: that having multiple lead singers in a band--in my ideal band, that is--is something I would deem essential. I would want to have at least 3 members who could sing lead and contribute songwriting. Four would be even better but three would suffice. Songs on albums would be equally divided up among the 3 or 4 writers. And each writer would sing their own songs, unless any one of the writers felt their song would be better suited to one of the other voices. One of the things I liked about The Band and Three Dog Night is that on some of their songs different parts were sung by different members--We Can Talk, The Weight, Family of Man. That was done on some America and Beatles songs, too. Thus, in essence the ideal model for my band would be The Moody Blues (though it would have been nice if Ray would have played second guitar or something) and again, to a lesser degree, The Band (though it would have been nice if the singers actually contributed more to the songwriting). America was great, too, but they were always a 3-man band and never had a steady drummer and bassist. And The Beatles never usually allowed George more than one song per album side.



To recap, my ideal band would have 5 members with a basic instrumentation lineup of drums, bass, 1 or 2 guitars and 1 or 2 keyboards with other instruments as needed. The band would have at least 3 capable singers and songwriters. And under the generic term of rock we would perform both acoustic and electric, quiet and loud, dance-able and reflective, modern and classic-sounding. And we would cover a lot of musical territory. All we would need is a name.

Tuesday, October 23, 2012

Stormy by Dennis Yost & the Classics IV Guitar Chords

One of my all-time favorite songs by one of my all-time favorite artists is "Stormy" by Dennis Yost and the Classics IV. It's one of those songs I can just put on repeat and play all day long and never get tired of. Back in the days when you could find just about any guitar or bass tab you needed on HarmonyCentral.com I found the tab for this song and learned how to play it. Don't know if the tab is out there somewhere floating around on the web still so I am providing it here.

First here is the video from YouTube of me playing the song on guitar:


And here is the tab of the chords played above:


   Intro                               Am9              GM7              
E  :7---------------|---------------- 1|7---------------|----------------|
B  :5---------------|3--------------- ||5---------------|3---------------|
G  :5---------------|4---------------*||5---------------|4---------------|
D  :5---------------|4---------------*||5---------------|4---------------|
A  :7---------------|---------------- ||7---------------|----------------|
E  :5---------------|3--------------- ||5---------------|3---------------|

   Am9              GM7              Am9              GM7              
E  :7---------------|----------------|7---------------|----------------|
B  :5---------------|3---------------|5---------------|3---------------|
G  :5---------------|4---------------|5---------------|4---------------|
D  :5---------------|4---------------|5---------------|4---------------|
A  :7---------------|----------------|7---------------|----------------|
E  :5---------------|3---------------|5---------------|3---------------|

   CM7                               Am9              GM7              
E  :3---3---3-3-----|3-3---3---------|7---------------|----------------|
B  :5---5---5-5-----|5-5---5---------|5---------------|3---------------|
G  :4---4---4-4-----|4-4---4---------|5---------------|4---------------|
D  :5---5---5-5-----|5-5---5---------|5---------------|4---------------|
A  :3---3---3-3-----|3-3---3---------|7---------------|----------------|
E  :----------------|----------------|5---------------|3---------------|

   Am9              GM7              Am9              GM7              
E  :7---------------|----------------|7---------------|----------------|
B  :5---------------|3---------------|5---------------|3---------------|
G  :5---------------|4---------------|5---------------|4---------------|
D  :5---------------|4---------------|5---------------|4---------------|
A  :7---------------|----------------|7---------------|----------------|
E  :5---------------|3---------------|5---------------|3---------------|

   CM7                               Bm7              B7               
E  :3---3---3-3-----|3-3---3---------|2---2---2-2-----|2---2-----------|
B  :5---5---5-5-----|5-5---5---------|3---3---3-3-----|4---4-----------|
G  :4---4---4-4-----|4-4---4---------|2---2---2-2-----|2---2-----------|
D  :5---5---5-5-----|5-5---5---------|4---4---4-4-----|4---4-----------|
A  :3---3---3-3-----|3-3---3---------|2---2---2-2-----|2---2-----------|
E  :----------------|----------------|----------------|----------------|

   Em9              A13              Em9              A13              
E  :7---7---7-7-----|----------------|7---7---7-7-----|----------------|
B  :7---7---7-7---6-|7-7---7---------|7---7---7-7---6-|7-7---7---------|
G  :7---7---7-7---5-|6-6---6---------|7---7---7-7---5-|6-6---6---------|
D  :5---5---5-5---4-|5-5---5---------|5---5---5-5---4-|5-5---5---------|
A  :7---7---7-7-----|----------------|7---7---7-7-----|----------------|
E  :0---0---0-0---4-|5-5---5---------|0---0---0-0---4-|5-5---5---------|

       C6           Bm7              Em9              A13              
E  :----------------|7-7---7---------|7---7---7-7-----|----------------|
B  :----8---8-8-----|7-7---7---------|7---7---7-7---6-|7-7---7---------|
G  :----9---9-9-----|7-7---7---------|7---7---7-7---5-|6-6---6---------|
D  :----7---7-7-----|7-7---7---------|5---5---5-5---4-|5-5---5---------|
A  :----------------|9-9---9---------|7---7---7-7-----|----------------|
E  :----8---8-8-----|7-7---7---------|0---0---0-0---4-|5-5---5---------|

   Em9              A13                             
E  :7---7---7-7-----|----------------|
B  :7---7---7-7---6-|7-7---7---------|
G  :7---7---7-7---5-|6-6---6---------|
D  :5---5---5-5---4-|5-5---5---------|
A  :7---7---7-7-----|----------------|
E  :0---0---0-0---4-|5-5---5---------|

Going from the Em9 to the A13 I do a little bit of a slide up but I didn't include the slide up symbol. In other words I slide up from 4456 (Ab13) to 5567 (A13). Hopefully that makes sense. Also of note is that I played the little bass line runs between the GMajor7 and Aminor9 on the video but they are not included on the tab. Finally, the rhythm with which I played the chords during the verse is not tabbed out either because I just added a bit of my own flair to it. It's not what they play on the recording, just something I threw in there.