Wednesday, December 24, 2014

A Christmas Album in the Future?

I really love Christmas music and these last 2 holiday seasons where I have come up with a couple of original Christmas songs has led me to seriously consider making a whole album of original Christmas tunes. Sure, the classics and traditional songs are wonderful but there is always more that can be said. There are always new perspectives and different ways of saying some of the old expressions. Certainly "deck the halls with boughs of holly" can be updated to reflect our modern methods of decorating and making merry.

Some writers like mixing the subject of Christmas with romance. And some of those songs are very good and memorable--Merry Christmas Darling, All I Want for Christmas is You, Merry Christmas Baby, etc. Many songs have nothing to do with romance and instead focus on the aspects of Christmas or the season itself. Some are religious in nature. Some are just plain silly. Others are serious. Some are upbeat and festive. Some are low-key and reflective. Others are downright depressing.

As a writer, I prefer the non-romantic, upbeat and low-key, reflective compositions. The two songs I made I consider to be mid-tempo numbers that are somewhat reflective in nature. I think this is the best formula that works for me. That's not to say that I will never experiment with some of the other categories. I don't intend to produce an album of 10 or 12 sound alike songs. In fact, the 2 songs I have already recorded are quite different musically from each other. "It's Christmas" is an all-acoustic and guitar driven song with verses and a bridge and a guitar solo. It would probably be categorized as folk-pop. "Christmastime" on the other hand is not all acoustic and not at all guitar driven. It's more of a piano driven song and would probably classify as pure pop. Verses and chorus. No solos. Both songs do time in at about 3.5 minutes, though. That's something that I can trim down, as some of the moved loved Christmas recordings are 3 minutes long or less.

If I intend to make a Christmas album in time for Christmas 2015 I would probably have to spend much of next year writing and recording. Could I do it? I'm sure I have the ability but the motivation to work on Christmas music during the spring and summer might just not be there. Even now that Christmas is so close I've already lost some drive to try to come up with new holiday music. It's challenging to want to work on something that after tomorrow no one will want to hear until 12 months later. I keep listening to Christmas music sometimes into March but I know most people do not share that kind of passion for it. I continue to listen throughout the winter. Why not? After all, many of those songs are just about the snowy season anyway.

I might however still work on making a cover of "God Rest Ye Merry, Gentlemen" for now. An instrumental. I may make a medley of it and "We Three Kings" just to keep it from being too short and repetitive.

Monday, December 22, 2014

New Christmas Song

Happy to announce that I finished up the new Christmas song just in time for Christmas! Actually it was completed on Saturday night and all things considered I'm really happy with the way it came out. Already submitted it to ChristmasSongsRadio.com and Nick & Bootsy played it on their Basement Tapes show last night.





So another goal complete. Now to fiddle around with the idea of creating an instrumental version of one of the classics. Not sure I will get to it. It's okay though. I'm feeling pretty accomplished at this point. But it's good to work on the Christmas music now while the mood for it is so built up.

Saturday, December 13, 2014

Debut Album Released!

I would like to recap on my progress regarding the goals I wrote about in my last post.

First and foremost, I am very pleased to say that I have released my debut full-length album titled "Milestone." I was having a very difficult time uploading the tracks to the Record Union website. Thus, I contacted them and they assisted by uploading the tracks for me. I officially released the album this past Tuesday which coincides with the day of the week that the music industry releases new material. I did not plan it that way. My original intentions were to release it by Thanksgiving, but due to the lack of success I had in uploading to Record Union it was pushed back. The good news is that it is finally out which means that 3 out of 5 of my goals have been met.

The other 2 goals included recording a cover of a traditional Christmas song and recording an original Christmas song. I thought the former would be the easier task but it turns out that lyric ideas were flowing rather nicely. So for about the last week I've been working on recording this brand new Christmas song called "Christmastime." Making Christmas music just feels so good. I really enjoy it. You can keep it so simple. The real importance of it is in the lyrics and in an easy yet memorable melody. A lot of new Christmas music that I hear tends to be overproduced, schmaltzy and sad. To each his own but I can't go for that. I like the songs "White Christmas" and "Have Yourself a Merry Little Christmas." I realize those songs are more reflective in nature and as such are more slow-tempo. But some artists just make those songs sound so depressing that I cannot listen. Nowadays it seems that Christmas music in general has become nothing more than a vocal showcase for many popular recording artists, providing the public with uninspired, contractually-obligated holiday music. I much prefer to hear original Christmas tunes, such as Coldplay's "Christmas Lights," as long as it's not schmaltz.

As far as when my new song will be finished--all I can say is sometime next week. You don't have a lot of time to spend on a Christmas song when the big day is only 12 days away. And of course I want to have it on rotation at ChristmasSongsRadio.com so I have to give it to them early enough. Currently I'm working on some piano parts for the song. Planning on some electric guitar. Probably add some sleigh/jingle bells. Also considering the possibility of some bells sounds and harpsichord. One of the main issues will be drums. Will I actually play drums or will I use the drum sounds from my Yamaha S90? Its drum sounds are very authentic-sounding. But it's so hard to get a perfectly timed beat in sync with the song. Much better playing actual drums but, as I've ranted so much about before, it's so hard to get a good snare drum sound. So I don't know what I'll do as of yet.

So when I'm done with "Christmastime" I may have enough time to do a cover of a traditional x-mas song. I have been strongly leaning towards doing a cover of "God Rest Ye Merry, Gentlemen" with the lead melody played on a mini-moog.

Until next time.

Thursday, November 6, 2014

End of the Year Goals

Once again we are here in the final one-sixth of the year and I've got a plate stacked full of musical ambitions. Why do I do this? Not sure but I do know that there are some times throughout the year when I'm just not interested in working on my music. And it's not because it is some kind of a fleeting, semi-passion for me. It has more to do with a general malady of frustration and at times a quiet desperation at the thought that maybe--probably, in fact--this is not going to ever go anywhere. Those are hard sentiments to deal with and can be very paralyzing when it comes to creating or even forcing oneself to work on unfinished projects. In addition to that, I'm easily carried away by other interests I have and can easily devote hours to those things, which although not being bad things they are things nonetheless which will not necessarily take me where I want to go. Thus, another year almost over and quite the unproductive one at that.

So how do I make up for precious time lost? By creating a long laundry list of things to accomplish by Christmas. The list includes:

-Finish recording the new song I've been working on for release on the album
-Make final touches on some of the other songs for the album
-Release the album (by Thanksgiving)
-Record a cover of a traditional Christmas song
-Write & record a brand new Christmas song

What do you think? All this along with keeping my other interests/obsessions in check. I think everything but perhaps the brand new Christmas song is feasible. My top priority is doing whatever needs to be done in order to finally release my first full-length album by Thanksgiving. That means finishing up recording the song I'm currently working on which will be the 10th track on the album. I have just about 3 weeks to do that AND tweak some of the other songs. Once that is done I can devote the next few weeks to recording a Christmas song or two. I plan on doing my take on another traditional Christmas song. Something in the public domain of course so I don't have to concern myself with copyrights and licensing and all that holiday-spirit stuff. There most certainly are some contemporary ones I would love to do but many of my favorites are so definitive-sounding that I don't think I could add anything to them. And there's that issue of licensing. Public domain it is.

But getting back to the album.
I decided on a new, original tune to fill out the album. With that I don't mean to say that it's filler material. But I was severely lacking in terms of a solid 10th track. I tried going back and rewriting lyrics to some solid tracks I had; however those did not pan out well. If you keep going back trying to fix the old material you will never move forward and produce new material. I wrote that this new song is the 10th song but not referring to it in a way of significance. It is the last song I needed for a somewhat cohesive album, but it will also be featured as the last track on the album. It is a song of hope. Thus the project closes out on a high note.

Here is a tentative track listing. I am trying to pick the song order as if it were to be released on a vinyl LP:

Side 1
1. Another Morning (What a Drag)
2. Tomorrow
3. The Moment of Truth
4. Call On Me
5. Doesn't That Blow Your Mind

Side 2
1. You Are So Good
2. Where I Belong
3. The Rain
4. Erie's Song
5. We're Gonna Make It

In conclusion, as much as I would love to start tackling all those things at the same time, I need to first finish recording "We're Gonna Make It" in a manner which is quick yet as pleasing as possible to me. I do not plan to go all-out-production on this song so within several days it should be completed. Then, if at all constructive and possible, I want to go back and 'touch up' about 6 of the other songs. Some have very minor issues. Others have a bit more work. Some of those songs have been previously released on my EP a few years back so I would like for these to have a slightly different mix at the very least.

Well, it's time to get to work. And I don't mean wage-slavery-type work, LOL. I mean work that matters. The kind of work that each one of us was placed here to do. Mine is music. What's yours? I will provide more frequent updates on my progress. Thanks for reading!

Friday, October 17, 2014

The Shins' Black Wave Basic Guitar Tab

A while ago I had uploaded a video of me playing the basic finger-picking acoustic guitar part to The Shins' "Black Wave." Not sure why I never provided a tab for it but here it is 4 years later.

First the video: Now the tab. Please note that, as I mentioned in the video description, in order to play it this way the tuning of the guitar needs to be changed from standard EADGBE to EBbDGCE:

E  :----------------|----------------|----------------|----------------|
C  :------2-------2-|------2-------2-|------2-------2-|------2-------2-|
G  :--0-------0-----|--0-------0-----|--0-------0-----|--0-------0-----|
D  :----3-------3---|----3-------3---|----3-------3---|----3-------3---|
Bb :4-------4-------|0-------0-------|----------------|0-------0-------|
E  :----------------|----------------|3-------3-------|----------------|

E  :----------------|
C  :------2---------|
G  :--0-------------|
D  :----3-----------|
Bb :4---------------|
E  :----------------|


Saturday, September 13, 2014

All I Ever Want

If you cannot wait for tomorrow
You will never be satisfied
It never comes
If you know how to live in the moment
You will never know wasted time
And know regrets
But knowing what you want you're halfway there

All I ever want
I found in you
All I ever thought
Could never be so true
Is here before my eyes
Beyond the greatest prize
I want you

Always looking for a reason
Searching high above beyond the stars
And never find
Diving into many waters
Spreading so thin you can't recognize
Just who you are
But when you find your treasure hold on tight

All I ever want
I found in you
All I ever thought
Could never be so true
Is here before my eyes
Beyond the greatest prize
I want you

© Ren D Music

Sunday, September 7, 2014

To Create or Not Create...That is the Question!

My last post here was over 3 months ago. Sadly I don't have any news regarding music. First of all because where I do my musical work is very hot during summer and not really conducive to spending hours being creative. Not safe either. And second because of general discouragement, disillusionment and disappointment.

Yes, making music is fun and great and rewarding if that is what one is passionate about, as I am. But I think one of the necessary elements of art is sharing it with others. Letting it be seen or heard. What's the point in painting portraits but keeping them all in your room and never allowing anyone else to see them? Or learning how to dance all the different dances there are but never performing them but to yourself in front of a mirror? Or creating music that no one else ever gets to hear, either because you don't share it or your options for sharing it prove futile? (And it does not even have to apply just to art. How about science? If you found a cure for something what is the point if you don't share it?)

Which brings me to YouTube. I am tempted to upload more of my songs on this website but I look at the number of video views and I say, "What's the point?" The numbers are pathetic. It seems people are more interested in watching other people's reactions to viral videos and video games. What is this? We have gone from doing things ourselves to watching other people do things to watching other people react to other people doing things. I don't understand this. Why would anyone want to watch anyone else's reactions while playing a video game? Where is the entertainment value in that? Why not just play the game yourself? God forbid I recommend that though seeing as how I believe video games in general are a curse upon young people (not to mention those not-so-young who still indulge).

But there is no way to compete with all the mindlessness out there. I can upload a new song today and it will have a negligible amount of views for most of its life. Every time I upload a new video I tell myself that this will be the one that does well. It's all bogus. No one's interested. Everyone is looking for something that is controversial, has shock value or is celebrity-related. Reverbnation, Bandcamp, soundcloud and other websites are really no different. I seriously don't believe anyone fans you on those websites for any reason other than wanting you to fan them back and increase their audience, or worse yet, trying to sell you a product or service. The only websites that have brought my music any exposure is this very blog where I write (discovered by The Basement Tapes) and also Podshow Music Network. Some of my songs have been picked up as a result of these 2 websites and have been played in various areas, including as far away as Germany.

I wish I had better news or a more optimistic outlook. If anything I still intend to release my full length album this year--this fall actually. It's still a major goal and I'll consider it a milestone for me when it does happen. And it will allow me to have my songs on Spotify and other music streaming websites, even if they're not played ever. But just knowing that they are there gives me a sense of accomplishment.

Before I sign off I do want to say that I have been fiddling around with my Christmas song a little. Just trying to improve it in time for the holidays. I have been trying to add a second snare drum track from my Yamaha S90 synth over my original one to make it stronger and more modern sounding. I'm not a huge fan of using 'fake' drums on my recordings but until I can figure out how to get a great recorded snare sound in my studio space I must use whatever resources I have at hand to make the best recordings I can. Also I had an idea for a tubular bells track to replace the original horns track but that has not gone very well.

In closing, I want to share this quote from an episode of "Night Gallery" which struck me from the first time I heard it and has come to signify reality more and more each time I hear it. Just to put this quote in context, it was uttered inside a funeral home in regards to the outside world:

"Out there is the graveyard! Out there--the slaughterhouse where they kill and bury dreams. A whole world full of lonely pallbearers."
 Yes, I see this manifesting itself on a daily basis.


Wednesday, May 28, 2014

My Thoughts on TAXI

Today I want to talk about something I've been hesitant to do so for a long time. The reason I'm doing so now is because I am no longer connected to this subject at this time and that I want others who may read this blog to know a little more about how this matter works and what lessons I learned from my experience.

Recently, I decided to allow my membership to expire in an organization named TAXI Music Service. It is touted as the "world's leading independent A&R company" which I do not doubt at all. Basically it works this way: you pay an annual membership fee of $200, $300 or more--depending on whether you're a first-timer, renewing member or you want beyond the basic services--and twice a month you receive updated listings of what the entertainment industry is requesting. Each listing comes with a due date. So if you have any recordings which in your opinion match any listing, you can submit them to the listing with a $5-per-song submission fee. And then you wait 30-60 days to hear back from them. You'll receive a notice that either your song(s) were forwarded to the industry personnel who submitted the listing or the song was rejected by the TAXI reviewers. At times you will also get an extensive critique of your song with scoring on point-scales and comments as to why your song(s) was rejected, what was good about it and how to make it better. Other times you will just get a rejection notice with not much information other than a line or two that states why the song was disapproved. I have never gotten any songs submitted past the TAXI people (forwarded) so I don't know what kind of notices you get in that situation. But once a song does get forwarded you may or may never hear from the person it was forwarded to.

My first stint with TAXI was in the early 2000's. I'm not sure for how many years I was with them Perhaps four, five or six. Not sure. It just wasn't one of those things that you tend to remember. At that time I didn't really have a lot of songs anyway and the music I was working on was very limited in scope. I only sought out very specific listings and they weren't all that common. So after several years of sending in the same songs and always getting rejected, I allowed my membership to expire sometime in the mid to late 2000's, Then, as I changed direction in my creativity and worked on many new songs during my separation with TAXI, in 2012 I decided to rejoin TAXI and try again. Now I had more songs and they were better. I had learned to produce better sounding music and I also had some nicer gear. Plus, there were a lot more music categories that I could submit my music to as opposed to the one single category I was only going for during my first stint.

It was during my second stint with TAXI (2012-2014) I really felt that I was going to break through. As I said, my music was better and it covered several different genres. I had more options. But there was something I still didn't understand until just the past few months. I submitted almost every one of my best songs at least once and I still never got one past the TAXI reviewers. Everything was rejected. Remember when I wrote about working on a cover version of "Hey Joe" for a special project? It was for a TAXI submission. It too was rejected.

It was around that time that I actually came to understand what TAXI is all about and how you MIGHT succeed with it. If you are interested in creating copycat music--in the sense of whatever is big and hot now or whatever was big and hot in the past, e.g. Jimi Hendrix--then you might have a chance. If you want to be a Mumford & Sons soundalike or a Drake clone or a JET copycat, then you're going in the right direction. All of TAXI's listings has artists/bands that are referenced so that you know what they want your music to sound like. If however you want to do your own unique and original music, you really don't stand a ghost of a chance. The majority of my own unique and original songs were usually labelled as retro sounding which I guess nowadays for an artist trying to break through is not a good label. By the same token, if a huge, established artist/band makes some retro-sounding music--i.e., Coldplay's X&Y album--it's immediately proclaimed 'genius' by the critics. [Note: I am a huge fan of Coldplay's X&Y album].

So I had to decide; do I want to sound like today's mainstream bands/artists and work on music I'm not especially passionate about for a CHANCE--albeit probably a tiny chance--to make it through TAXI? Or stay true to myself working on my own original music and accept that I am probably never going to get anywhere--especially not through TAXI--with it? I custom made a few recordings for TAXI listings. But they too were rejected. "Hey Joe" was one of them. I enjoyed doing that song because I've always like that one and it's from the era that I'm really influenced by. But I don't have the time or energy to spend doing covers just to have them get rejected. I know it's possible to get noticed doing covers especially if you go the route of YouTube. Most of my view numbers on my YouTube channel come from the instrument covers I did versus my own songs. But the original intent of doing the covers was to attract views to my music which has never really materialized.

So my personal experience has been that TAXI Music Service is not interested in original, unique music. Not my original Exit World music. If I had a song that sounded just like the Lumineers but with a touch of Exit World they might accept that. But an Exit World song with a touch of the Lumineers? No. Thus, if you are willing to make or already have music that sounds like that made by the big mainstream names, TAXI may work for you. But I really don't have the time nor the desire to make music in the style of modern artists & bands I'm not interested in. If that means I have no chance of 'making it' in the music business, well, that's something I've been slowly coming to terms with in recent months anyway. I'll keep making music regardless and putting it out there. Thank goodness for the internet!

Monday, April 28, 2014

Analogman Peppermint Fuzz

Just yesterday I uploaded a video to YouTube of a recording that I played an electric guitar solo using an Analogman Peppermint Fuzz pedal. This pedal sounds great and has a sound straight out of the 1960's. I've tried other fuzz pedals and they all had peculiarities about them, mainly being that they did not sound all that 'fuzzy'. This one's a keeper though. I won't try to describe the sound because, as the Lovin' Spoonful once sang, it's like trying to tell a stranger about rock & roll. You gotta hear if for yourself!


And that's what the pedal looks like. Resembles peppermint candy. Sadly this great pedal is a discontinued one. Conversely if you have one it can garner you a nice, quick chunk of cash. Currently there is a used one on eBay with a bid of $202 and 3 days to go. I'll keep an eye on it to see what it ultimately sells for.

Analogman pedals always sell for obscene amounts of money. I had two of their King of Tone pedals simultaneously once. I pre-ordered one which took about a year to actually get, and during that time a fellow guitarist sold me his. Luckily I was able to compare his older model with the brand new one side-by-side. I liked the older one a lot better. Difference in sound texture was very noticeable. I immediately sold my new one for nearly double the price I paid. The older one I kept for quite some time before eventually selling it as well. It was a superb pedal and all but I don't play live and I really felt the gain on my Fender Super Sonic gave me all the sound I needed for my recordings. Whoever bought that second one I sold sure got a great sounding piece of work! Hands down beat similar pedals out there by the big names such as Ibanez, Voodoo Labs, Fulltone, Maxon and others.

Monday, April 14, 2014

Roger Miller's "King of the Road" Full Bass Tab

One of my most popular blog posts here continues to be the bass tab I made for my video of me playing along to a few lines of "King of the Road" by Roger Miller. In that video I played a little of the original bass part but I also improvised a bit. And I tabbed out the whole part that I played, which was less than a minute long.

Since this post was so popular and I've had many requests for that tab, I decided to tab out the whole darn song. No improvising. Just the original part played by the original studio bassist. To the best of my ability. Some parts are a little harder to hear and decipher. I even listened to a stereo version of the song but it can still be difficult. Took quite some time to do also. The song is only about 2:10 long but tabbing out a part can take very long. So I hope you all will appreciate the effort and use it in good fun! And if you really appreciate the work I put into it, there is still a donate button on my page. Thanks!

G  :----------------------|-----0-3-----------|---------------------|
D  :3-5-3-0---------0----0|1--------0-1-2-3---|-2-3----1-h3-3-1-----|
A  :--------1---0-1-------|-------------------|-----------------3---|
E  :----------------------|-------------------|-------------------1-|

G  :-------------------|------------------|------2-3--3-2--0-|
D  :-------------0----0|1----1----1-2-3---|-3--3-------------|
A  :----0-1----1-------|--------1---------|------------------|
E  :1-3----------------|------------------|------------------|

G  :--0-0-2-3--3-0---------|-----0-3-----------|----------0------|
D  :3--------------3------0|1--------0-1-2-3---|-------3----1--0-|
A  :-----------------1-----|-------------------|-----------------|
E  :-----------------------|-------------------|-----------------|

G  :-------------------|------------------|----0-2-3--3-2-2-0-|
D  :3---0--------0----0|1----1----1-2-3---|-3-----------------|
A  :--3---1----1-------|--------1---------|-------------------|
E  :-------------------|------------------|-------------------|

G  :---0-2-3--3-0---------|------------------|----------3-2--0-|
D  :-3------------3------0|1----1--0-1-2-3---|-----------------|
A  :----------------1-----|------------------|-----------------|
E  :----------------------|------------------|-----------------|

G  :--0-2-3----0----3--|------------------|------0----------|
D  :3------------3-----|1----1--0-1-2-3---|-3--3----3--1--0-|
A  :-------------------|------------------|-----------------|
E  :-------------------|------------------|-----------------|

G  :------------------|------------------|-----------------|
D  :---3-------------1|1----1--0-1-2-3---|----------3-1--0-|
A  :-3---1----1-1-----|------------------|-----------------|
E  :------------------|------------------|-----------------|

G  :-------------------|------------------|------2-3--3-2-2-0-|
D  :3---0--------0----0|1----1--0-1-2-3---|-3--3--------------|
A  :--3---1----1-------|------------------|-------------------|
E  :-------------------|------------------|-------------------|

G  :0---0-2-3--3-0---------|--------------------|----------------|
D  :--3------------3------1|1----1--0-1-1-2-3---|----------------|
A  :-----------------1-----|--------------------|----------------|
E  :-----------------------|--------------------|----------------|

G  :-------------------|-----1-4-----------|------3-4--4-3--1-|
D  :4-4-4--------1----1|2--------1-2-3-4---|-4--4-------------|
A  :------2----2-------|-------------------|------------------|
E  :-------------------|-------------------|------------------|

G  :--1-1-3-4----1------4|------------------|------------1-----|
D  :4--------------4-----|2----2--1-2-3-4---|----------4---4-2-|
A  :------------------2--|------------------|------------------|
E  :---------------------|------------------|------------------|

G  :------------------|------------------|----1-3-1-4--3--1-|
D  :1---4----------1--|2----2--1-2-3-4---|-4----------------|
A  :--4---2-----2-----|------------------|------------------|
E  :------------------|------------------|------------------|

G  :1---3-4--------------|-----------------|------------1--2-|
D  :--4--------4---------|-----------------|----------4------|
A  :-------------2--2----|-------2---------|-----------------|
E  :------------------4-2|0----4----0--2---|-----------------|

G  :-----------------|-----1-4-----------|----1-3-4--4-3--1-|
D  :-----------1----1|2--------1-2-3-4---|-4----------------|
A  :-1--2----2-------|-------------------|------------------|
E  :-----------------|-------------------|------------------|

G  :--1-1-3-4--------------|-----------------|-----------------|
D  :4------------1---------|-----------------|---------------4-|
A  :---------------2--2----|-------2---------|----------2--2---|
E  :--------------------4-2|0----4----0--2---|-----------------|

G  :--2-3-4----1-------4|------------------|------3-4--4-3--1-|
D  :4------------4-4----|2----2--1-2-3-4---|-4--4-------------|
A  :-----------------2--|------------------|------------------|
E  :--------------------|------------------|------------------|

G  :--1-1-3-4----1----4-1--|------------------|----------------|
D  :4--------------4-------|------------------|----------4-----|
A  :-----------------------|-------2-2--------|----------------|
E  :----------------------2|0----4-----0--2--2|----------------|

G  :-----------------|-----1-4-----------|------3-4--4-3--1-|
D  :4----------1----1|2--------1-2-3-4---|-4--4-------------|
A  :----2----2-------|-------------------|------------------|
E  :-----------------|-------------------|------------------|

G  :----------------|
D  :-4--------------|
A  :----------------|
E  :----------------|


Friday, March 14, 2014

Hey Joe

For the last week or so I've been working on recording a 'vintage sounding' version of "Hey Joe" in the sonic flavor of Jimi Hendrix's version of 1966. "Hey Joe" has always been a song I liked but especially after I discovered Tim Rose's version. I used to play his at home and anywhere I'd go. Sometimes I'd have it going for hours at a time. To me, his take on the song is the penultimate version. I like Hendrix's version as well and both versions are similar in terms of tempo and feel. Major difference being that Hendrix's version is all-out electric and Rose's is acoustic.

So when I found out about an opportunity to record a period piece version of the song for a special project I jumped on it. Fortunately I had just enough time to do it and I started and completed within 6 days, just before the deadline.

I'm a fan of Big Brother and the Holding Company when they backed Janis Joplin so my sound may have been influenced by theirs. I made a version that sounds rock, bluesy and psychedelic (perhaps) but definitely reminiscent of the late 1960's. In fact, if the recording weren't mine and I heard it and had to guess the year I would say 1968. Comes complete with fuzz guitar! Finally put that Analogman Peppermint Fuzz pedal to solid use!! It's a superb pedal for that 60's fuzz sound. Best one I've tried and I highly recommend it if you can find one.

My 'Hey Joe' comes complete with 3 layers of electric guitar, an organ track, bass, drums and vocal. Speaking of drums, I finally experimented with recording the drum part on 3 different tracks: one for the kick drum, one for the overhead mic and one for the snare. I'm still experimenting with tweaking the snare sound. It sounds good in the latter portion of the song where the overall volume is louder. But I do have more control over the overall sound of the drum set by recording this way. And since I had the drums and mic's all set up I went ahead and recorded a new drum track for my Christmas song, "It's Christmas." I have not yet mixed that new part into the song. One additional item of note is that I used my piccolo snare for this recording session. I had tried my full size snare but was not pleased with the recorded sound so I went with the piccolo and the move generated rather good results.

Anyway, let's get to the song. I uploaded it to soundcloud.com:



I also uploaded onto YouTube a mono version of it that includes the sound of old vinyl in order to simulate an old record:




The photo I created to look like album art from that era (minus the outfit discrepancies of course). It was an all-out effort which I found fun and very rewarding.



Monday, February 17, 2014

Re-visiting Some Previously Recorded Tunes

What have I been up to lately? Well, revisiting some of my old tunes and re-working them so to speak. Last week I went back to "Another Morning (What a Drag)" and attempted to create a stripped-down mix of it for a special purpose. Recently the thought of going back to many of my older songs and just completely stripping them down to acoustic guitar and vocals has crossed my mind. I guess I feel like experimenting a bit. But even something like that can distract me from getting my album released as part of my springtime goal.  So in reality the reason I went back to "Another Morning" was for a very good reason and not just to kill time. Anyway, here is the mix that I came up with.




The last few days I have gone back to working on "Tomorrow." A music comrade had suggested I do a little more with the vocals so I added some extra layers of complimentary vocals. It was a great idea that I'm glad he suggested and I really like how the new version now sounds. I also took the liberty of moving around a few parts that for years I have left alone; reason being that I felt I had spent enough time on it already and needed to move on. So this new yet-unreleased version will sound different from the one I released on my EP in late 2011 which can be heard on Spotify if you look hard enough (or on my YouTube channel).

It was interesting going back to these recordings from 2009 and 2010. I realized I was quite reverb-happy during that time. I still love reverb but the amounts I used in these songs were pretty excessive. Additionally, I was using the built-in reverb which is very digital sounding. I exclusively now use reverb pedals or vocal pedals that have good-sounding reverb built into them. The reverb on these pedals don't sound so processed as does the one built into my 16 track Boss recorder.

So not only will "Tomorrow" sound different from the EP version but "Another Morning" will as well. Not as much however. But there will be reduced levels of reverb and I'm going to remix the drum track to mono. The current version features the drums really up front in the mix due to inadvertently recording the drums onto a stereo track. After having recorded the drums I played it back and noticed that the kick drum was panned all the way to one side while the rest of the drums were panned to the other. Needless to say that was not the effect I was going for. At the time I thought the only way to remedy that (without playing the drum part all over again) would be to double the drum track and pan it all the way left or right in order to balance out everything into the middle. But that resulted in a really in-your-face drum part. So I'm going to mix down that drum track into mono and take it from there.

In other news, I'm still working on the lyrics for the final song on the album. Stayed tuned.

Saturday, February 1, 2014

New Song Finally Finished! (Almost)

Started recording "Call On Me" back in December of 2012. I'm finally at the point (I believe so anyway) that I just have to mix and master the song now. I am considering re-recording a couple of guitar parts that feature the Leslie speaker sound. I'm not 100% sure if I will but it's pretty minor stuff regardless. So here is the mix/master I came up with as of last night:





I'm actually pretty happy with the sound. Everything can be clearly heard. Drums sound pretty good. I am however planning to move the background vocals during the choruses to either side instead of in the middle as they are in this version. And I may give the electric bass a little boost in volume.

For anyone who may be interested, I played an Epiphone Les Paul for all the electric guitar parts through a Fender Super Sonic stack, a Fender J-bass and a Yamaha S90 for the Rhodes sound.

My inspiration for this song was actually The Bee Gees. I was going through a time where I was listening to their early songs and checking out all their late 60's and early 70's videos on YouTube. I was just messing around on guitar and trying to come up with a melody over the guitar chords and some of the words just started flowing out. After I had the main theme of the song I started writing the lyrics to match. And then I spent way too long on recording it. Truth is I abandoned it for a long, long time and didn't finish it up. I had spent a lot of time on (Doesn't That) Blow Your Mind and you might say I was creatively exhausted. Excuses, excuses. I pretty much blew off 2013 but in all honesty I did some a pretty good reason. As I look through my recording log book--which I'm not very consistent with keeping up to date--I see that all of 2013 is blank except for nearly the very last month, which is when I managed to cut those 2 Christmas recordings. So it wasn't a complete waste. Pending all things possible, I promise myself to make 2014 a much more productive year. I Already have this song done. "Already". LOL. Album will be on the way as soon as I finish up recording one last song and go back and remix some of the others.

But for now I want to enjoy all the work I put into "Call On Me." If anyone should happen to give it a listen (Bootsy) I hope it sounds like music to your ears. I'll be back in the studio tonight tweaking and making adjustments.

Wednesday, January 22, 2014

New Lyrics for Older Songs

Believe it or not but when I first became really serious about being a professional musician, I was looking to enter the Christian music market. Most of my first songs and recordings were actually Gospel-themed (as I have shared previously) and I was hoping to create music that would be used in churches and worship settings. I was really influenced by the music of Hillsong church and of the various Vineyard churches being made around the world. There are some truly amazing recordings that have come out of both Hillsong and Vineyard, and even the non-religious would be hard-pressed not to like some of them.

I didn't limit myself to just 'church-type' music but I also tried making songs under the genre of CCM which is Contemporary Christian Music. This genre differs from 'worship' or church music in that it would not normally be used in church services. Rather it would be radio-type music with overtly Christian themes.

However, my own recordings and songs did not really go anywhere other than a few Billboard Contest Top 500 or Top 1500 awards. The last recording I made of any Christian-themed music came about in 2009. Since that time, I have decided that I could do a lot more through my passion for music and my abilities by creating non-Christian music. Some of my songs may still have Biblical themes but nothing overt and most likely with ambiguous lyrical meanings as some already do.

CCM has a very modern sound to it. And some of it is really good as I mentioned before. But as I draw the greater majority of my influences from 60's and 70's pop/rock music, the CCM-type songs I made were definitely out of place with what the big-name artists put out there. I don't think there is a market for 60s/70s sounding Christian music. There are just some things they're not open to. And the Christian music business is really no different than the non-Christian music business. They are both businesses with goals of making profits. That being said, my best chance lies with secular music, non-Christian music, regular music--whatever you want to call it. There is a lot more room for creativity in this area as my personal tastes encompass a wide variety of colors on the music spectrum.

The trouble is that I have several really good recordings that come with Christian-themed lyrics. What to do with them, as really they aren't going anywhere. What I have decided to do is to write new lyrics for them. In my opinion the songs are just too good to leave them lying around. And that's what I've started to do. A couple posts back I wrote about a song that I was editing down from 5 minutes to 3 minutes. That's one of those that I had originally written Christian lyrics for. In fact it was titled "All For You." I've scrapped those lyrics and even changed the melody completely. As I stated in that blog entry, I never released the song with vocals before. So when I do finish up this one it will actually be a fresh, new song. On the other hand, a song I have already released 2 years ago on my EP may need a re-working of lyrics.

Don't get me wrong. It's not like I have a slew of songs that I will now write new lyrics to. There are just 3, 4 tops. Some of the other ones I'm not even going to touch. They will remain in the dark recesses of oblivion. But only the ones that have solid instrumental backings or a cool riff that needs to be transported to a new song will see new light and life.

Sunday, January 19, 2014

My Ideal Band

I was just thinking earlier today--if I were ever to start a band, what would my ideal band be like? In terms of numbers, I think 5 members would be ideal. As far as instrumentation goes, it would be drums, bass, guitars and keyboards with occasional other instruments in the mix for good measure. There would be no one who only contributes vocals. That's not to belittle vocals by any means. Vocals are extremely important and I'll discuss that more later. But my band would not be a Rolling Stones-type band in that sense.

I enjoy a wide range of music from pop, rock, folk, R&B, funk, dance, country, blues, jazz, alternative, progressive, electronic and some of what is generically labelled as 'world' music. As a band performing original material I realize that we would most likely have to limit ourselves more specifically to one or two main genres only and then add touches of the others to our sound. So I guess we'd be pop rock, but the critics and fans would argue among each other whether we were really pop rock or folk rock or blues rock or alt rock or R&B or something else altogether. But we would definitely at times rock hard and loud or get funky and get the people dancing and at other times silence the audience with heartfelt, moving story songs.



Some of my most favourite bands include The Beatles, The Moody Blues, America, Three Dog Night and to a lesser extent, The Band. A common thread running among these bands is that they all had at least 3 lead singers. Having that many singers gave those bands varying textures of sound. I remember hearing Three Dog Night songs on oldies radio when I was a kid and being totally confused when I heard several completely different sounding songs by the band and hearing the DJ say it was them. For example, hearing "One," "Mama Told Me" and "Black and White" on separate occasions and being announced by the DJ as Three Dog Night on all occasions. The three unique voices gave their sound such diversity. America is another band that had three unique voices, albeit not as distinctive as Three Dog Night's. But they wrote all their own songs and were all excellent guitarists. The Moody Blues featured four excellent lead singers. My personal favorite being Justin Hayward with his uplifting vocals. Then there's Ray Thomas' rich baritone with vibrato. And Mike Pinder's dark and gloomy voice. And finally John Lodge's high falsetto. His is the voice I have the hardest time picking out because it's a bit similar to Justin's. But when I hear a soaring falsetto it is unquestionable John's. On their own, each voice gave each song its own finishing touch. When the four voices came together in harmony you'd have a perfectly woven textile.



The Beatles had three and sometimes four lead singers. The most distinguishable voice being that of Ringo's but the more famed ones being those of John, Paul and George. And they usually wrote most of their songs as well. The Band had three and sometimes four lead singers. In my opinion no other group had as many distinctive voices as The Band. I'm not the biggest Band fan but I appreciate their styles and what they did. Levon Helm, the drummer, was a frequent lead singer and had the unmistakable southern drawl which came out in speech and in song. Rick Danko had a strange, almost tearful voice which is still taking me time to get used to, though I really enjoy his singing on their Christmas song, "Christmas Must Be Tonight". And then there's Richard Manuel with his sometimes tenor sometimes falsetto vocal which continues to confuse me with Rick's. To me both of them have similar qualities in their vocal deliveries and tones and I have a hard time figuring out who's who on their songs. In fact I initially thought it was Richard who sang their Christmas tune. Finally, there's Robbie Robertson who wrote most of their songs but sang lead on only a handful. If you search on the 'net you will find that he was often criticized as being a pretty bad singer. But if you listen to "Out of the Blue" from The Last Waltz soundtrack you just may be convinced--as I am--that reports of bad singing on his part are greatly exaggerated.



So all this brings me to a very important point: that having multiple lead singers in a band--in my ideal band, that is--is something I would deem essential. I would want to have at least 3 members who could sing lead and contribute songwriting. Four would be even better but three would suffice. Songs on albums would be equally divided up among the 3 or 4 writers. And each writer would sing their own songs, unless any one of the writers felt their song would be better suited to one of the other voices. One of the things I liked about The Band and Three Dog Night is that on some of their songs different parts were sung by different members--We Can Talk, The Weight, Family of Man. That was done on some America and Beatles songs, too. Thus, in essence the ideal model for my band would be The Moody Blues (though it would have been nice if Ray would have played second guitar or something) and again, to a lesser degree, The Band (though it would have been nice if the singers actually contributed more to the songwriting). America was great, too, but they were always a 3-man band and never had a steady drummer and bassist. And The Beatles never usually allowed George more than one song per album side.



To recap, my ideal band would have 5 members with a basic instrumentation lineup of drums, bass, 1 or 2 guitars and 1 or 2 keyboards with other instruments as needed. The band would have at least 3 capable singers and songwriters. And under the generic term of rock we would perform both acoustic and electric, quiet and loud, dance-able and reflective, modern and classic-sounding. And we would cover a lot of musical territory. All we would need is a name.

Sunday, January 12, 2014

Re-working An Old Song

I have a really old song--I'm talking 2006 old--that I never satisfyingly recorded the final vocals for. I had complete lyrics for the song and recorded a few demo vocals. The vocals didn't come out well and I never went back to redo them. Subsequently, I never released the song, originally titled "All For You," and it has just been sitting there. Here is a clip of the song--specifically the bridge--that I put up on YouTube:




The complete song is actually about 5:20 long. I have been exploring some new possibilities with this track and I'm going to write some new lyrics for it. Additionally, I'm going to trim the song down about 2 minutes which means eliminating an extended chorus section, a guitar solo and the above bridge. I already came up with a few new lyrics and melody lines. When it's completed, I think this will end up being the 10th track for the album.

I had thought about including the Christmas song I made last month on the album, in the vein of The Band having their only Christmas song on the final album they put out with the original 5 members. I'm not sure though. I'd rather keep it separate. If this old song I'm reworking goes well I'll have a solid 10 songs with a total run time of over 40 minutes. Won't need anything else but I still may throw in the Christmas tune as a bonus track.