Showing posts with label seasonal music. Show all posts
Showing posts with label seasonal music. Show all posts

Wednesday, January 1, 2020

New Christmas Song Finished & Released

I find it mildly amusing that I had forecasted the completion of my new Christmas song within a few days of the end of November. I did not finish the final mix and mastering until December 11. And by the way, I'm still not thrilled with the final mix. I would have kept remixing and remixing until I got it just the way I wanted--were that possible considering it's an unattainable goal--but it's already so late to be releasing a Christmas song that I did the best I could under the circumstances. The good news is that it is now both at CD Baby and Bandcamp and also at iTunes, Amazon, Spotify and everywhere else. I just hope it gets to those places well before Christmas.

I started this new song well before Thanksgiving. Mind you the intention was just to create some background music for videos. But as I really liked how it was turning out I thought it would be a waste to just leave it as background music, though it could still well serve that purpose. However, once again the vocal part is what created such a delay. Not getting everything sounding up to par. And unfortunately the released version is still not perfect vocal-wise but it's the best I can do under the circumstances.

I must admit--I seriously considered giving up vocal music during my many takes for this song. It became so frustrating to record the same lines over and over and not get them just right or even just good enough. I honestly cannot understand how some people can sing and hit the right notes every time. I started thinking along the way of doing instrumental music exclusively. I would definitely get more music produced more frequently if I were to only do instrumentals. But I also enjoy writing lyrics even though it's hard for me to sing them. And I cannot ask anyone to sing for me due to legal reasons. Whatever I create musically has to be 100% mine. The last thing I want to deal with is legal issues.

Anyway, here is the newly finished song found on my Bandcamp page:

You Know It's Christmas Time

Hope you like it. It's radically different from any Christmas song I've made before. But again, it wasn't initially planned to be such. The good thing is that not only is it a Christmas song but it also fulfilled the initial desire of being background music if I only remove the vocal.

Regarding the youtube issue--I tried to appeal the deconstruction of my Exit World channel but youtube only responded by saying that I need to get the Fred Rogers Company (FRC) to rescind their copyright strikes. Like that is going to happen. So as someone suggested I could move to Vimeo and carry on there, or I could just create a new email through Google and start my new youtube channel that way. (Actually I just found out I can create a new channel with my existing Google account).

I nearly forgot--this has also put a damper on my plans to release my old lo-fi recordings from many years ago. This makes me angry the more I think about it. I was not a multiple violator of their policies. I uploaded material that was not banned immediately. It was all up for quite some time before this happened. Had they taken all the FRC videos down initially I would not have uploaded more. All I received were copyright claim notices. Those are not bad. They serve to inform that someone has claimed the right to the video in question. But they gave me no chance. It was 1-2-3 and I was done. I blame both the FRC and youtube for this. I did not continue to upload claimed content after receiving any of the strikes. That's the part that is not fair. They make it seem as though I continued to upload videos after receiving the first 2 strikes. Why didn't they just take down all the Rogers' videos with the first strike? Why did they need 3 strikes to do it?

Anyway, I sent the FRC a few more emails with the final one giving them a piece of my mind. I stated that they handled this situation in a very unprofessional manner. I said a few more things as well. Surprisingly, I did get a response with an offer from them to talk to youtube about my Exit World channel. As I relayed this to youtube they refused to accept it and kept giving me the runaround. Like a broken record all they keep saying to me is that I need to resolve the copyright strikes on my Exit World channel when I don't have any on that one. Their reason for shutting it down was that it was linked to the channel with the strikes (JustGoodStuff). So I wrote them a not-so-pleasant email as well and I haven't heard from them anymore.

As far as I'm concerned that matter is done and I'm not going to hear from either party any further. So I'll just come up with another channel for my own personal music (which I will probably call "Millions of Me" as this is a possible new recording artist name for me). The other one I already made is called "AllTheBest". The only problem I'm having with the AllTheBest channel is that I cannot upload videos longer than 15 minutes since I'm not verified. My 2 most popular videos were just over 15 minutes each. Under 16 but over 15! I left the computer on all night long to upload one of them just to get a message that said it couldn't be processed since it was over 15 minutes. Couldn't they warn me ahead of time? So frustrating! And I'm hesitant to verify my account since that may lead to getting the new channel(s) shut down as well. I don't know what's involved in 'verifying' so I can't take any chances right now. I may just have to create a third channel with a brand new email.

Most importantly though is that I released a new Christmas song in 2019 and much earlier than in previous years. Also it's on my Exit World - Topic channel created by CD Baby.

In my next post I will discuss some goals for 2020, as is in keeping with tradition. If it weren't for "You Know It's Christmas Time" I would not have had a new song in 2019. I had a few background music recordings I made and I guess those should count especially if I am seriously considering working exclusively on instrumental music.

This post took way too long to write. It's pretty much after the fact now since it's been sitting here since mid-December.

Tuesday, November 5, 2019

A New Avenue for My Music?

I have discovered something interesting. Other than my Exit World YouTube channel I do have another one that has a couple of videos with a million plus views and over 7,300 subscribers at the moment. The high number of views and subscribers happened this past spring when I created some compilation videos of a TV show. I had no idea I was going to get this sort of response. In fact, my first million-view video happened within just 4 weeks of uploading it. It is now at over 2 million and my subscriber count has skyrocketed from what it was before this video.

My discovery is this: anything that I upload to this channel immediately gets views and likes. Some of course get a lot more than others. But I have decided that I can use this to my advantage. I will upload some of my own original creations on this channel. Not the 'from the archives' material but my better quality material.

I have done so today. I uploaded my "In Excelsis Medley" recording from a few years back onto this channel and in about 12 hours time it has 75 views and 6 likes. There is no way it would have anything even remotely close to this on my Exit World channel. So it will be interesting to see where this goes and how many views it will have by Christmas. This may even be a way to get some sales for my music, though at the particular moment this track is not available for purchase anywhere.

I did not just upload the song, however. I took the cover of the Christmas EP I released some years ago and added some animated snowfall to it. A good visual helps promote any audio recording.

That's one bit of potential good news. In another bit, I was working on another instrumental song to use as background music for some videos. But the song was turning out so well that the thought came into my head to write some lyrics for it and turn it into a Christmas song. So I've been working on that and that's the route I'm going now. This will be a holiday tune perhaps for a single release or an EP release if I can get a few more songs recorded within the next 4-6 weeks or so. But I am really excited for this song particularly since I haven't made any new songs this year with the exception of the 2 that served as background music.

Monday, September 16, 2019

Recordings From The Archive 1989-2019

We will soon be entering the final quarter of the year and once again the plan is to be as musically active as possible in order to prevent yet another rather inactive year. So to give you some very basic and generalized updates on my plans, I am planning to do a Halloween themed song and work on some Christmas music as well. Would still love to get a whole album of Christmas/holiday/seasonal music out there this year. I might have to be more reasonable and settle for a release that's a mix of original tunes and well-loved public domain ones. In fact, I am planning on recording a cover of that old standard, Jingle Bells.

Other than that I will create as the ideas and creative juices flow. On a more determined note, I have decided to start releasing the low-quality, analog recordings I made many, many years ago with my homemade instruments.

Why have I decided to do this now after all these years? Well, in case you don't know, Daniel Johnston died last week at the age of 58. Also in case you don't know, Johnston was considered an outsider musician who started recording his own original music on cassettes at home and distributing them to his co-workers and such. He started doing this around the age of 18 or 19 and eventually ended up with a recording contract, not so much due to his immense talent but more as a result of Kurt Cobain wearing a t-shirt that featured Johnston's album artwork. Cobain, Eddie Vedder and others have claimed to be influenced by Johnston's music.

The reason I will be releasing my old recordings is not because I think it will be a ticket to getting a recording contract with some label. Absolutely not. I don't want to oversimplify what Johnston did. It wasn't all just handing out cassettes, though he did that with anyone he met. But he also performed live, something I don't do and am not willing to do on a solo basis. He attracted attention with what he did. And there was no YouTube during his days of doing this. But all his recordings are out there now, as low-quality and bad as some of them may be. And that's what I want to do. Just get my recordings out there because otherwise they will live only in my experience and what is that point of that? Many of my recordings are just as low-quality and bad (if not worse) than his. I didn't start singing in my recordings till my late teens and even then they are scant and few. I never really wanted to be a singer at that time. At least not until I acquired a real guitar and started learning it.

The instrumental recordings aren't all that great either--off-tempo, off-key, noisy. But that's what you get when you're working with low-quality microphones, cassette tapes and homemade instruments. And it's not about the quality or the recordings. It's the history of my recording experience and the progression and growth I have made over the last 30 years.

Yes, my first recordings were made thirty years ago and I think this would be a great time to start releasing them. And the great thing is that I have digitized many of what I consider to be the more important recordings and have saved a good deal of the equipment I used to make them.

This is part of my history. I know many will not be interested in this. There has to be an intense curiosity in order to sit through the extremely low-fi sound and very limited musical ability on display. But for anyone who can appreciate someone discovering recording sounds in stereo vs. recording in mono and trying to make the most of what he has this may be a journey to explore.

I revisit these recordings from time to time. Very few others have heard any of them. For the most part and understandably so, no one was particularly impressed with anything they heard from my archives. I think it's the same thing that happens when I make a new recording nowadays. People are overlooking the fact that I did everything on my own and just expect to hear something that sounds radio-ready. They're only looking at the final product and not all the work that went into it. And it's even worse nowadays because people can produce music on computers without even knowing how to play a single musical instrument. And no, computers ARE NOT musical instruments. They're only tools. So these guys don't care if you don't recognize all the work that went into making a recording. All they want is you to appreciate the final product because they're not musicians.Yet I am both a musician and a producer.

I was a bit embarrassed by these recordings for a long, long time. They felt like the really bad pictures a kid draws with crayons when he's growing up. And you don't really want to show anyone those pictures if you even have them still. I kept my recordings and it's not necessarily for any other reason than that I tend to keep everything. Yes, I have hoarding tendencies. But I am glad I kept these.

Unfortunately, I have accidentally recorded over things in the past. The beauty of the cassette is that it has always been the most readily available media for recording something, anything. Its size, its price, its ubiquitousness were all pros when it came to the advocacy of this item. Yet the very fact that it could easily be rerecorded over and get erased were its downfall. And once those sounds were gone they were gone for good.

I'm glad I digitized many of these recordings when I did. Most of the original tapes I used were really cheap, low-quality ones. I didn't use the Sony, Maxell, Memorex or TDK brands. No. It was Certron for the most part and other forgettable names. And the sounds on most of them may be very shaky if not gone completely by now.

So I'll be uploading these recordings to YouTube on my Exit World channel. I considered Soundcloud but they give a fixed number of total minutes to upload your content. Once you reach that limit you have to pay in order to upload more. And I'm not about to pay for that service. So YouTube it is as there are no limits there. Once I upload there I will link to here as I write a post about each upload as long as my memory serves me well. This will definitely help me to become more active here as well.

I realize these uploads may not get any views. I'm prepared for that. It's not really about getting views. If I get them, great! If not, it was always about me putting them out there for me. Daniel Johnston didn't care about how good or bad he sounded. He didn't care about how lo-fi his recordings were. He wasn't worried about getting embarrassed. He just did what he was meant to do and didn't suppress it. And that's what I need to do. Hey, maybe if the people aren't listening to the good music I create perhaps they'll listen to the bad!

Monday, June 18, 2018

Holiday Music and Electronic Music

So three months after my last post and I am still working on that same one Christmas song. It's been rough. Too much stuff going on. (Although I must admit I also did waste some time unnecessarily). Am I ready to throw in the towel on my plan to have a holiday album out this year? No, not quite yet. But it isn't looking good. I may have to settle on another EP. At worst, I may have to settle on this one song, but that seems far-fetched. The good news is I have to do just a little more recording on this song and then put it all together. The bad news is I'm not sure how I will handle the drum track. Will I play actual drums or will I go with my Yamaha synth drum sounds? I do want to actually play but we'll see.

Sometime in April I took a break from the Xmas song to record something using my Minimoog. This is a pretty amazing instrument in that it is a whole band in itself. Couple some of the melodic tones with a delay pedal and you get some very out-there electronic sounds.

I put together about a 5 or 6 track piece of different Moog sounds and made up a little electronic song. After doing this for a few days I felt the inspiration to do a whole album of songs made only (or almost entirely) on the Minomoog. I'm not saying I've done that already but it is another project that will be in the works.

What I came up with is a type of music that I have been searching for but could not find. I realize there are tons of music out there that I have not yet heard and never will. But based on my searches I have not found what I've been looking for. It all started with a Chernobyl disaster I saw online a few years ago. It had stock footage of Soviet nuclear power films and some very Moog-ish music playing along. The song was undoubtedly electronic and was most likely created on keyboards exclusively. What I don't know is whether the music was part of the film or if it was newly created for the documentary. The film's era is very hard to tell but I would guess it to be somewhere from the late 1960s to the early 1970s. The music fits in perfectly with that era and makes me skeptical that it was newly made for the program. But I cannot find any info about it and there is nothing in the credits.

How do I describe this music? It's outer spacey. It's futuristic in a retro sort of way. It's unsettling. It's early shoe-gazing music. It's sparse. It makes everything seem slow motion. It sounds like it was recorded in wide open spaces, like the glaciers of Iceland. It's atmospheric. It's ambient. It has that lo-fi feel. It gives warning. It can be ominous.

That's what I want to make. I don't have all the synth sounds I would like to have in order to do this. In particular there is a vintage sound which resembles voices singing "ohs" or "ahs" and it sounds really great.

I've listened to artists such as Suzanne Ciani and Klaus Schulze but their electronic art tends to not be very musical. I have no problem with long, drawn-out pieces even if they're not in a static rhythm. But it has to have a feel of musicality and a pulse to drive it. The "I Robot" album by The Alan Parsons Project has a lot of aspects of what I'm looking for, particularly the instrumental passages. I thought Kraftwerk may have been a source but their music sounds too gleeful.

I would like to find some of what I'm looking for from the period of 1969-1977. It has to be out there. But I haven't found it so I will try to make my own. I uploaded a super lo-fi version to my phone from my monitors of the song I made has unofficial working titles of "Moog Song" and "The Day Will Come." Here it is from soundcloud:




That's rather a short piece but I plan to make it a lot longer. I'm envisioning about 4-5 songs for a 40-minute album. And this is a project I believe I can get done before the year is up even if I start a few months from now.

But I really do want to work on the Christmas music. It has not been difficult as I thought it would be. The song I've been working on is rather funky and it keeps me in the spirit of working on it. I don't think it's strange to work on holiday music throughout the year, and it doesn't feel weird telling others that's what I'm doing. So onward I go!