What does help is that it's still winter and cold outside. I can work on my 'winter' songs. It is very difficult to work on winter & Christmas songs in the summer. Which reminds me--I must make the most of the first 5 or 6 months of this year before it gets summery hot in my recording studio and then I cannot do anything there. The period from about June to September is generally a wash for me when it comes to recording. It is a huge loss of precious time. I wish I had a private, climate-controlled facility where I could leave everything set up and ready to be played and recorded. I would get so much more done. This is seriously something that has stunted my recorded output.
I listened to the "Tubular Bells" album by Mike Oldfield recently. If you don't already know it is a two-song album. Just one 20+ minute song on each side of the record. I liked some of it, but I didn't care for a lot of it. It did plant an idea in my mind to do something similar. Not exactly the same. But I like the idea of some long, drawn-out jams. Not that those two tracks were exactly jams in the traditional sense of the word. There were hardly any drums at all on this album. And there were plenty of unnatural sounding instruments, such as sped-up guitars and mandolins and basses that didn't sound like basses. And some very strange vocals on part two. I think Oldfield had a good idea with the album. It started off strong but then strayed and became weak. By the time of the second side I was longing for its conclusion. It was a pretty long album for its time as well. At 48 or 49 minutes it was rather lengthy for 1973.
So the seed was planted. Maybe just come up with two long jams that would produce some really nice clips. Maybe have some instruments come in at certain times and others fade out. Perhaps some vocals but no real words. I like the experimental music era of the early 1970's. A lot of the progressive rock, psychedelic & R&B bands took full advantage of that time and produced some really cool pieces. Pink Floyd and Yes come to mind; the ultra-long instrumental section of "Do Your Thing" by Isaac Hayes; "Papa Was a Rolling Stone" by the Temptations; "Imagine" by The Happenings; "Dorian Benediction" by The Free Design. I read that early Genesis was another in this category. I will have to check them out.
So this is a bit of a problem with me. I find it hard to commit to any type of musical style or genre. When I listen to Christmas music, I want to make Christmas music. When I listen to Coldplay, I want to make songs like Coldplay's. When I listen to Gordon Lightfoot or Jim Croce, I want to make music like theirs. When I listen to Pink Floyd I want to make music like theirs. Or the Moody Blues. Or countless otherse. Problem is, I don't sound like any of them. No one will ever listen to any of my songs and say, "Hey! This sounds like Coldplay!" While I would certainly be flattered I would think there is definitely something wrong with their hearing.
I guess I'm talking about vocal styles here. I could probably make music that sound like theirs but when it comes to singing I would not even be close. I don't have the vocal prowess of any of those singers. Christmas music is Christmas music. As far as I know there is no one known as a "Christmas music recording artist." There is no defined sound of a Christmas music singer's vocal. It's an open field. And it's still the best method of breaking into the music industry. But it is very hard to remain focused on Christmas music when the world around you is long done with the holiday's festivities.
Like all the years before, I have no idea what this year will produce musically for me. Things never seem to be where you want them to be. I honestly believed 2017 would be more of a breeze compared to the past few years. Not looking that way. Getting less and less studio time. Can't accomplish anything at this rate. We'll see what happens.
