Showing posts with label audacity. Show all posts
Showing posts with label audacity. Show all posts

Sunday, December 29, 2013

Fixing Up Bass

Well, I thought I was done with "It's Christmas" but I'm just not satisfied with it. Two days ago I rerecorded a portion of the guitar solo to overlay on the existing solo. There were some muffled notes so I recorded a crisper sounding part. And last night I decided to take the bass track and do some bass boosting on the weaker sounding notes with the help of the Audacity program. It's such a painstaking process but if you want something to sound professionally done than you must put in the time and effort. If it comes out sounding great it will be worth it. I have yet to take this new and improved bass track and add it to the song. I will work on that tonight.

One new technique that I will be implementing in future recordings is to record the drums on 2 separate tracks. I usually record drums with only 2 mic's--I have very limited space where I record--even though I have a 4-piece drum mic set. In the past I've used that mic set along with an overhead when I recorded elsewhere, before I had a drum set. Now at home I record exclusively with only 2 mic's; one for the bass drum and one overhead. Not only do I not have the space to set up 5 or 6 mic's on the drums but I also only have 4 mic stands at this time. But I have found that I can get a really good overall drum set sound with only 2 mic's, and my proof for that is the drum track on "(Doesn't That) Blow Your Mind." The drums on that song sound excellent IMO and has been the best recorded drum sound I ever achieved up to this point. But of course there's always room for improvement. So by recording the drums onto 2 separate tracks--bass mic on one, overhead on the other--I can tweak each individually and then blend the 2 onto a single track. By isolating the bass onto one track I can boost the high's a bit in order to hear the snap better. And with the overhead I can cut the mid's and high's without affecting the bass drum. There may even be other tweaks I can do to get the overall drum set sound better. And then combine the 2 tracks onto one great sounding track!

Doing this adds more work to the project of course. And I guess the reason I've never really done this is due to fear of a loss of valuable tracks being available. But that's really not a real problem because as I have already written, I can bounce the multiple tracks onto a single one. I will start doing this with my next song which will be........not sure at this point.

I hope to be able to post the new and improved FINAL version of "It's Christmas" sometime tomorrow. I know Christmas 2013 is behind us but to me it's still Christmas and I continue to listen to holiday music and am actually in the mood to create some more original tunes for the season. Not only is Christmas music awesome but one great song alone can set you up for financial freedom. Paul McCartney's "Wonderful Christmastime" earns him between $400,000 and $600,000 each year! Which means that since the song is from 1979 he's possibly as much as $15,000,000 over the years from it. I may in fact start off 2014 with a seasonal song I wrote some years ago and never recorded. I just want to set the tone for this coming year in terms of  devoting a lot more time to creating and recording new music and creating some sort of financial stability at the very least as a result of it.

And on a final note, today is the 29th and I still have not finished up "Call On Me." It's still possible for me to finish it up and release the album within the next few days. However I may be scrapping my plans to put out the album this year. It's really late in the year to release anything more than a song. But I do believe I will release it very early in 2014 and it will feature 10 tracks with perhaps a bonus track of my Christmas song.

Friday, January 18, 2013

You Are So Good

I don't remembering having recorded any songs in 2003. I may have been still working on polishing up some of the other ones. Not completely sure. But the following year I made an 'epic' song. Titled "You Are So Good" it was really a work of art for me and the best thing I made up to that point. Actually it still stands as one of my best songs lyrically and musically and is the first song featuring my Gibson Les Paul Studio electric guitar:


I don't have this guitar any longer either. This was my first really good electric guitar. And it smelled good! Or maybe it was the case. I don't know. But something about Gibson electric guitars/cases. They have this aroma that makes playing even more enjoyable. Anyway, this was the guitar used in the solos for this song.

As I mentioned this song was recorded in 2004. But in 2010 I came back to this song and and added one more thing to it. In the early part of that year I purchased a Korg Micro Sampler.



Around that time I had become interested in sampling as a result of much listening to the music of Sigur Ros. More on that in a future post. But with this Korg I recorded an electric guitar part for the pre-chorus of the song. Then with the help of audacity I added that part to the song and I also reversed the part and added it as a layer over the piano intro to the song. And it turned out pretty well. Unfortunately, when I released my EP I inadvertently did not include this new, updated 2010 version and instead released the original 2004 version. The original version is available on iTunes, Amazon, Spotify, etc.

The instrumentation for this song includes: acoustic guitar; digital piano; electric bass; drums; several electric guitar tracks; tambourine; electronic keyboard (organ sound); and 2 vocal tracks. Here is the song:




This song also received an honorable mention in another Billboard songwriting contest. I don't have the exact details. I did perform this song twice at church with members of the youth group. To this day some of them can still sing the chorus.