Saturday, June 6, 2020

Songs I Have Learned to Play

You may be wondering what have I learned to play on the piano since getting the Yamaha Piaggero this past winter. At first I started with trying to play all the Christmas classics in the key of C. And while that may sound like a really simple thing, keep in mind that most people would not be able to pick out the melodies and chords by ear. I cannot do that myself perfectly but I know when something sounds right and when it sounds wrong, and when I've got it figured out I can play it decently.

I don't have all those tunes mastered yet--and by mastered I mean being able to play without error--mainly due to me not playing as often as I should/could. But in terms of a full, non-holiday song that I have learned to play completely, you'd probably never guess what it is so I'll just tell you: "It's Too Late" by Andy Williams. Yes, Andy Williams. You might question as to why I would learn to play Andy's version as opposed to Carole's or any other version out there. For one, Andy's version is very Marvin-Gaye-What's-Goin-On-ish. It's not the kind of sound you would expect from Andy. Marvin's classic was released in January 1971 while Andy's cover was recorded in the spring following. Clearly it was influenced by that smooth soul jazz type of sound achieved on that Marvin single. As an aside, this new musical direction for Marvin Gaye was refreshing and a nice break from all the love and heartbreak songs he did up to that point. Socially conscious music was slow to penetrate Motown but it started with The Temptations and continued on with the music of Gaye, Stevie Wonder, Rare Earth and Edwin Starr to name a few.

Back to my reasons for choosing Andy's version---frankly, I like Andy. He was one of those--if not the only one--classic era crooners who was able to focus not exclusively on Tin Pan Alley and jazz standards and rather build up his repertoire of music to include pop/soft rock hits of the day (unlike Tony Bennett who would become literally ill at the thought of having to croon "Sugar, Sugar"). And Andy did a great job of mixing the classics and the fresh to create his own sound. I'm happy to say that I have probably all of his albums from about 1962-1975, a period in which 2 albums per year was rather common.

Okay, so he didn't write his own songs. When you've got a voice like his you don't have to. Look at Elvis. Tom Jones. Ella Fitzgerald. The great voices were never expected to write songs. Probably not encouraged to. But if you had a voice more like Bob Dylan's, Neil Young's, Tom Waits', etc., you'd better write darn good songs!

But I've come to appreciate Andy Williams over the last several years. I think it was the Christmas TV specials that did it to me. However, it wasn't even just Andy. It's also been Perry Como, Tony Bennett & Frank Sinatra, someone I vowed never to listen to in my younger years. And it's not even so much how they thing but also the arrangements of their recorded music. I don't see how you can't not like that music. It's just so pleasant, soothing and perfectly crafted particularly considering their 1960s releases.

Anyway. "It's Too Late." Andy's version. I can play along with it now. Not perfectly of course but enough to show a significant improvement in my keyboard skills. And it's not even in the same key as Carole's original. I do add some elements of her version to this one. But it feels good to be able to play along with the recording from start to finish even if I do make mistakes.

I've also learned to play "Time of the Season" by The Zombies. It's definitely more simple than the other song, but interesting nonetheless. Still can't play it perfectly either but that's okay.

With the organ sound on the keyboard I have learned to play that organ riff on "Gimme Some Lovin'" by The Spencer Davis Group. That is really cool! Even though the rest of the song does not have a lot going on in terms of organ parts, knowing that alone is great fun. I can walk into any music store now and just play that riff and I'll instantly appear to be a keyboard wizard.

I also took it upon myself to learn the organ intro and basic song part to "A Whiter Shade of Pale" by Procol Harum. Another really fun thing to play that would raise eyebrows if played loud enough in a store.

Of course, learning to play these things makes me want to record my own versions of these songs. That's great if I were in a cover band or if I could make my own covers in a short amount of time. But these things can take on lives of their own and end up eating a lot of the time I should be using to make my own music. I have to remind myself that it's June now and I haven't recorded anything new this year and the time for releasing an album is growing short. So we'll see. I know I'm going to look back on these last 9 years or so and regret not having used it more wisely. In the meantime I'll just keep practicing and writing more. And recording soon, too! I want to have new material to send to "The Basement Tapes with Nick & Bootsy"! Thanks for reading, Bootsy!!


2 comments:

  1. I LOVE Andy Williams!!!! When I was growing up, our house at Christmas was full of the sounds of Andy, Perry Como and the Mitch Miller Orchestra.

    I find it interesting that you make note of "the voices" not needing the write their own music and I agree with you 100%. It takes as much artistry to own a song lyrically with your voice as it does to compose one. Mine and Nick's favorite singer/songwriter has always been John Prine, who actually made the comment that he hated listening to himself sing!

    Keep up the practice and as long as you do that, you can never say you've wasted any time musically!

    ~Bootsy

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    1. I'm so glad to hear you love Andy Williams! Wasn't he great? And Perry Como. Mitch Miller was an interesting character with great music to back him. The music has stayed the same but the times have changed, haven't they?

      John Prine and I have something in common then--we both hate listening to ourselves! Though I admit, sometimes I hit a really good note and it gives me chills. Just wish it were more often than not.

      Definitely the 'song interpreters' have their place in music and in history, as do the song creators which still gives people like me hope!

      Your last sentence is very similar to something I used to tell all my students--"no one ever regretted learning to play an instrument."
      Thanks for reading & writing!!

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